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In music, timbre (/ ˈ t æ m b ər, ˈ t ɪ m-, ˈ t æ̃-/), also known as tone color or tone quality (from psychoacoustics), is the perceived sound quality of a musical note, sound or tone. Timbre distinguishes different types of sound production, such as choir voices and musical instruments.
A range of simultaneously produced harmonics each affect the timbre, but only the fundamental frequency is heard. The frequency of a note can be raised by the increasing the string's tension, or decreasing its length or mass. The number of harmonics present in the tone can be reduced, for instance by the using the left hand to shorten the ...
A mute is a device attached to a musical instrument which changes the instrument's tone quality (timbre) or lowers its volume. Mutes are commonly used on string and brass instruments , especially the trumpet and trombone , and are occasionally used on woodwinds .
Music can be analysed by considering a variety of its elements, or parts (aspects, characteristics, features), individually or together. A commonly used list of the main elements includes pitch, timbre, texture, volume, duration, and form. The elements of music may be compared to the elements of art or design.
But the pitch also will be affected by the shape of resonator and by the size of opening and amount of lip or neck the resonator has. [3] A conical shaped resonator, such as a megaphone, tends to amplify all pitches indiscriminately. A cylindrical shaped resonator is affected primarily by the length of the tube through which the sound wave travels.
Dynamic tonality is a paradigm for tuning and timbre which generalizes the special relationship between just intonation, and the harmonic series to apply to a wider set of pseudo-just tunings and related [1] pseudo-harmonic timbres.
The length, width, thickness and density of a fingerboard can affect timbre. Most fingerboards can be fully described by these parameters: w 1 — width at nut (close to the headstock) w 2 — width at half of scale length (if fretted, usually the 12th fret) h 1 — profile height (thickness) at the nut; h 2 — profile height (thickness) at ...
These shapes affect the prominence of harmonics associated with the timbre of the instrument. A bore that flares from the mouthpiece reduces resistance to the breath, while a bore that narrows from the mouth increases it, compared to a cylinder.