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The Sistine Chapel ceiling, painted by Michelangelo between 1508 and 1512, is one of the most renowned artworks of the High Renaissance. Central to the ceiling decoration are nine scenes from the Book of Genesis of which The Creation of Adam is the best known, the hands of God and Adam being reproduced in countless imitations.
The complex design includes several sets of figures, some clothed and some nude, allowing Michelangelo to demonstrate his skill in depicting the human figure in a variety of poses. The ceiling was immediately well-received and imitated by other artists, continuing to the present. It has been restored several times, most recently from 1980 to 1994.
The Creation of Adam, a detail of the fresco Sistine Chapel ceiling by Michelangelo. Fresco (‹The template Plural abbr is being considered for merging.› pl. frescos or frescoes) is a technique of mural painting executed upon freshly laid ("wet") lime plaster.
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The plaster ceiling (by John Craigie of Stirling who had the contract for all the Smith plasterwork) was lost in the dry rot outbreak and removed in 1974. This room, renamed the Ballengeich Room or Gallery 1 was the first area of the Smith to be refurbished (1977). The room is at present used for temporary exhibitions and the Smith Café.
Waterhouse's design was a Romanesque scheme, [42] loosely based on German religious architecture; [43] Owen was a leading creationist, and felt that the museum served a religious purpose in displaying the works of God. [44] The design was centred around a very large rectangular central hall and a smaller hall to the north. [45]
Stucco plaster reliefs, such as this work at the Château de Fontainebleau, were hugely influential in Northern Mannerism. A plaster low-relief decorative frieze is above it. Plaster is a building material used for the protective or decorative coating of walls and ceilings and for moulding and casting decorative elements. [1]
Hatfield retains its elaborate plaster ceilings and great marble fireplaces with columned overmantels, whereas Blickling has lost most its internal features, though the highly elaborate plaster ceiling in the library (originally the long gallery) survives with its allegories on the theme of the five senses.
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