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C. L. Moore's 1940 story Fruit of Knowledge is a re-telling of the Fall of Man as a love triangle between Lilith, Adam and Eve – with Eve's eating the forbidden fruit being in this version the result of misguided manipulations by the jealous Lilith, who had hoped to get her rival discredited and destroyed by God and thus regain Adam's love.
Adam and Eve is a pair of paintings by German Renaissance master Lucas Cranach the Elder, dating from 1528, [1] housed in the Uffizi, Florence, Italy. The two biblical ancestors are portrayed, in two different panels, on a dark background, standing on a barely visible ground. Both hold two small branches which cover their sexual organs.
Pages in category "Cultural depictions of Adam and Eve" The following 107 pages are in this category, out of 107 total. This list may not reflect recent changes .
The genealogies of Genesis provide the framework around which the Book of Genesis is structured. [1] Beginning with Adam, genealogical material in Genesis 4, 5, 10, 11, 22, 25, 29–30, 35–36, and 46 moves the narrative forward from the creation to the beginnings of the Israelites' existence as a people.
The book of Genesis records the descendants of Adam and Eve.The enumerated genealogy in chapters 4, 5, and 11, reports the lineal male descent to Abraham, including the age at which each patriarch fathered his named son and the number of years he lived thereafter.
Adam and Eve in the Garden of Eden (Spanish: Adán y Eva en el Jardín del Edén) is a panel painting by Flemish Baroque painter Jan Brueghel the Younger. Created in the 17th century, it is now held in the collection of the Bank of the Republic and exhibited at the Miguel Urrutia Art Museum (MAMU), in Bogotá .
Adam and Eve is a c. 1538 oil on limewood painting by Lucas Cranach the Elder, [1] [2] [3] acquired in 1949 from the Cistercian monastery in Osek near Duchcov, now in the National Gallery Prague. It is part of a series of works showing the fall of man produced by that artist, including others now in Besançon (c. 1508–1510) and in Florence ...
The Penitence of Adam and Eve" has been published in Latin by Wilhelm Meyer. [4] "The Books of the Daughters of Adam", mentioned in the catalogue of Pope Gelasius I in 495–496, who identifies it with the Book of Jubilees, or "Little Genesis". The "Testament of Our First Parents", cited by Anastasius the Sinaïte. [5] The Book of Adam by ...
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