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Alcmaeon in Corinth (Ancient Greek: Ἀλκμαίων ὁ διὰ Κορίνθου, Alkmaiōn ho dia Korinthou; also known as Alcmaeon at Corinth, Alcmaeon) is a play by Greek dramatist Euripides. It was first produced posthumously at the Dionysia in Athens, most likely in 405 BCE, in a trilogy with The Bacchae and Iphigenia in Aulis .
The Trojan Women (Ancient Greek: Τρῳάδες, romanized: Trōiades, lit."The Female Trojans") is a tragedy by the Greek playwright Euripides, produced in 415 BCE.Also translated as The Women of Troy, or as its transliterated Greek title Troades, The Trojan Women presents commentary on the costs of war through the lens of women and children. [1]
Euripides has been hailed as a great lyric poet. [66] In Medea, for example, he composed for his city, Athens, "the noblest of her songs of praise". [67] His lyrical skills are not just confined to individual poems: "A play of Euripides is a musical whole...one song echoes motifs from the preceding song, while introducing new ones."
Euripides' retelling of this myth is a radical step forward among the Greek tragedies: while in other plays of classical Athens individuals often rail against the disasters that the Fates or the gods have caused to befall them, in this powerful play both Creusa and Ion actually challenge whether the gods have any right to govern the destinies ...
Helen (Ancient Greek: Ἑλένη, Helénē) is a drama by Euripides about Helen, first produced in 412 BC for the Dionysia in a trilogy that also contained Euripides' lost Andromeda. The play has much in common with Iphigenia in Tauris, which is believed to have been performed around the same time period. [1]
The Phoenician Women (Ancient Greek: Φοίνισσαι, Phoinissai) is a tragedy by Euripides, based on the same story as Aeschylus' play Seven Against Thebes. It was presented along with the tragedies Hypsipyle and Antiope. With this trilogy, Euripides won the second prize.
The population of Plataea came to Athens as suppliants after the destruction of their city in 427 BC, a few years before the performance of this play. They were allowed to stay in Athens and, exceptionally, they were granted Athenian citizenship. This event may have influenced the play and its reception. [3]
Ambiguity: Euripides' play Heracles asks more questions than it answers. Nowhere is this more apparent than in the topic of faith. During Euripides' time, though most Greeks, like Euripides' Theseus, would have been believers, there is a strain of thinkers who questioned traditional religion and the existence of the gods, much as Heracles does in the play.