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Different definitions of "moral imagination" can be found in the literature. [ 79 ] The philosopher Mark Johnson described it as "[an ability to imaginatively discern various possibilities for acting in a given situation and to envision the potential help and harm that are likely to result from a given action."
Passion's Triumph over Reason: A History of the Moral Imagination from Spenser to Rochester, is a book by historian Christopher Tilmouth, first published by Oxford University Press in 2007. It is a study of English moral and philosophical attitudes to passion in the late sixteenth to seventeenth centuries.
He held that the sublime was of three kinds: the noble, the splendid, and the terrifying. In his later Critique of Judgment (1790), [14] Kant says that there are two forms of the sublime, the mathematical and the dynamical, although some commentators hold that there is a third form, the moral sublime, a hold-over from the earlier "noble ...
The first book defines the powers of imagination and discusses the various kinds of pleasure to be derived from the perception of beauty; the second distinguishes works of imagination from philosophy; the third describes the pleasure to be found in the study of man, the sources of ridicule, the operations of the mind, in producing works of imagination, and the influence of imagination on morals.
Literary theory is the systematic study of the nature of literature and of the methods for literary analysis. [1] Since the 19th century, literary scholarship includes literary theory and considerations of intellectual history , moral philosophy, social philosophy, and interdisciplinary themes relevant to how people interpret meaning . [ 1 ]
Supporting literature includes: the work of social impact theory, which discusses persuasion in part through the number of persons engaging in influence; as well as studies made on the relative influence of communicator credibility in different kinds of persuasion; and examinations of the trustworthiness of the speaker.
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Important trichotomies discussed by Aquinas include the causal principles (agent, patient, act), the potencies for the intellect (imagination, cogitative power, and memory and reminiscence), and the acts of the intellect (concept, judgment, reasoning), with all of those rooted in Aristotle; also the transcendentals of being (unity, truth, goodness) and the requisites of the beautiful ...