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Different definitions of "moral imagination" can be found in the literature. [ 79 ] The philosopher Mark Johnson described it as "[an ability to imaginatively discern various possibilities for acting in a given situation and to envision the potential help and harm that are likely to result from a given action."
He held that the sublime was of three kinds: the noble, the splendid, and the terrifying. In his later Critique of Judgment (1790), [14] Kant says that there are two forms of the sublime, the mathematical and the dynamical, although some commentators hold that there is a third form, the moral sublime, a hold-over from the earlier "noble ...
The concept of genre began in the works of Aristotle, who applied biological concepts to the classification of literary genres, or, as he called them, "species" (eidē). [3] These classifications are mainly discussed in his treatises Rhetoric and Poetics. Genres are categories into which kinds of literary material are organized.
Literary theory is the systematic study of the nature of literature and of the methods for literary analysis. [1] Since the 19th century, literary scholarship includes literary theory and considerations of intellectual history , moral philosophy, social philosophy, and interdisciplinary themes relevant to how people interpret meaning . [ 1 ]
Jonathan Haidt distinguishes between two types of moral cognition: moral intuition and moral reasoning. Moral intuition involves the fast, automatic, and affective processes that result in an evaluative feeling of good-bad or like-dislike, without awareness of going through any steps. Conversely, moral reasoning does involve conscious mental ...
'Irony' comes from the Greek eironeia (εἰρωνεία) and dates back to the 5th century BCE.This term itself was coined in reference to a stock-character from Old Comedy (such as that of Aristophanes) known as the eiron, who dissimulates and affects less intelligence than he has—and so ultimately triumphs over his opposite, the alazon, a vain-glorious braggart.
Ethical idealism, [1] which is also referred to by terms such as moral idealism, [2] [3] principled idealism, [4] and other expressions, is a philosophical framework based on holding onto specifically defined ideals in the context of facing various consequences to holding such principles and/or values.
While Austen steers clear of the formal moralizing common in early-19th-century literature, morality—characterized by manners, duty to society and religious seriousness—is a central theme of her works. Throughout her novels, serious reading is associated with intellectual and moral development.