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Thyestes is a first century AD fabula crepidata (Roman tragedy with Greek subject) of approximately 1112 lines of verse by Lucius Annaeus Seneca, which tells the story of Thyestes, who unwittingly ate his own children who were slaughtered and served at a banquet by his brother Atreus. [1]
Thyestes and Aerope, painting by Nosadella In Greek mythology , Thyestes (pronounced / θ aɪ ˈ ɛ s t iː z / , Greek : Θυέστης , [tʰyéstɛːs] ) was a king of Olympia . Thyestes and his brother, Atreus , were exiled by their father for having murdered their half-brother, Chrysippus , in their desire for the throne of Olympia.
Some suggest that certain scenes of the plays, such as the cannibalistic feast in Thyestes, may have been staged and performed while others were not. [6] Scholars believe that, unlike Greek tragedians such as Euripides or Sophocles who focused on the dramatic form of their plays, Seneca used his dramas to teach and spread the philosophy of ...
Lucius Seneca was a prominent playwright of the first century, famous for helping shape the genre of revenge tragedy with his ten plays: Hercules Furens, Troades, Phoenissae, Medea, Phaedra, Oedipus, Agamemnon, Thyestes, Hercules Oetaeus, and Octavia. [8] The importance of his plays lies in the difficulty of the period.
Most scholars argue that the revenge tragedies of William Shakespeare and his contemporaries stemmed from Roman tragedy, in particular, Seneca's Thyestes. [3] Seneca's tragedies followed three main themes: the inconsistency of fortune (), stories of crime and the evils of murder (Thyestes), and plays in which poverty, chastity and simplicity are celebrated ().
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Seneca was most likely motivated to write this letter of consolation to Marcia in order to gain her favor; Marcia was the daughter of a prominent historian, Aulus Cremutius Cordus, and her family's enormous wealth and influence most likely inspired Seneca to write this letter of consolation. Through the essay he sticks to philosophical ...
The influential early 20th Century French Theatre critic Antonin Artaud considered Seneca's Oedipus and Thyestes models for his Theatre of Cruelty, originally speaking and writing about Seneca's use of 'the plague' in Oedipus in a famous lecture on 'Theatre and the Plague' given at the Sorbonne (April 6, 1933) and later revised and printed in ...