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The Pali language's resemblance to Sanskrit is often exaggerated by comparing it to later Sanskrit compositions—which were written centuries after Sanskrit ceased to be a living language, and are influenced by developments in Middle Indic, including the direct borrowing of a portion of the Middle Indic lexicon; whereas, a good deal of later ...
Though Brahmi and the Kharoṣṭhī script share some general features, the differences between the Kharosthi and Brahmi scripts are "much greater than their similarities", and "the overall differences between the two render a direct linear development connection unlikely", states Richard Salomon.
The Pali language is a composite language which draws on various Middle Indo-Aryan languages. [1] Much of the extant Pali literature is from Sri Lanka, which became the headquarters of Theravada for centuries. Most extant Pali literature was written and composed there, though some was also produced in outposts in South India. [2]
The noticeable differences between the Vedic and the Classical Sanskrit include the much-expanded grammar and grammatical categories as well as the differences in the accent, the semantics and the syntax. [110] There are also some differences between how some of the nouns and verbs end, as well as the sandhi rules, both internal and external. [110]
Mirza Khan's Tuhfat al-hind (1676) names Prakrit among the three kinds of literary languages native to India, the other two being Sanskrit and the vernacular languages. It describes Prakrit as a mixture of Sanskrit and vernacular languages, and adds that Prakrit was "mostly employed in the praise of kings, ministers, and chiefs". [28]
Masica (1991:146) offers the following, "In any case, according to some, all possible sounds had already been described and provided for in this system, as Sanskrit was the original and perfect language. Hence it was difficult to provide for or even to conceive other sounds, unknown to the phoneticians of Sanskrit".
In Theravāda Buddhism, Pali: suññatā often refers to the non-self (Pāli: anattā, Sanskrit: anātman) [note 1] nature of the five aggregates of experience and the six sense spheres. Pali: Suññatā is also often used to refer to a meditative state or experience.
Pīti in Pali (Sanskrit: Prīti) is a mental factor (Pali:cetasika, Sanskrit: caitasika) associated with the development of jhāna (Sanskrit: dhyāna) in Buddhist meditation. According to Buddhadasa Bhikkhu , piti is a stimulating, exciting and energizing and dry quality, as opposed to the calmness of sukha .