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Op. 22, Guitar Sonata No. 3 in C major (four movements: Allegro — Adagio — Menuetto — Rondo) – publ. June 1807 in Madrid; publ. again 1825 in Paris as “Grande sonate” Op. 25 , Guitar Sonata No. 4 in C major (four movements: Andante largo — Allegro non troppo — Andantino grazioso — Menuetto ) – wr. 1826 in Moscow; publ. 1827 ...
The baroque guitar (c.1600–1750) was a string instrument with five courses of gut strings and moveable gut frets. The first (highest pitched) course was sometimes a single string. It replaced the Renaissance lute as the most common instrument found in the home.
Piano Trio in C minor, MWV Q3 (Mendelssohn) Piano Trio No. 1 (Shostakovich) Piano Trio No. 2 (Mendelssohn) Piano Trio No. 3 (Brahms) Piano Trios, Op. 1 (Beethoven) Polonaises Op. 40 (Chopin) Pomp and Circumstance Marches; Popoli di Tessaglia! Prelude and Fugue in C minor, BWV 546; Prelude and Fugue in C minor, BWV 847; Prelude and Fugue in C ...
Great Mass in C minor, K. 427 (417a) Piano Concerto No. 24, K. 491) Maurerische Trauermusik K. 477 (479a) Als Luise die Briefe ihres ungetreuen Liebhabers verbrannte, K. 517; Adagio and Fugue in C minor. K. 546; Wind Serenade in C minor. K. 388 (384a) Fantasy in C minor for violin and piano, K. 396 (385f) Piano Sonata in C minor, K. 457 ...
The piece was premiered on November 4 and 6 1964, by Riley, Steve Reich, Jon Gibson, Pauline Oliveros, Stuart Dempster, Morton Subotnick and others at the San Francisco Tape Music Center. [ 3 ] [ 4 ] It received its first recorded release in 1968 on Columbia Records , where the full score for the piece was included on the sleeve.
The first eight partials on C, (C,C,G,C,E,G,B ♭,C), are pictured. Play simultaneously ⓘ Among alternative tunings for the guitar, an overtones tuning selects its open-string notes from the overtone sequence of a fundamental note. An example is the open tuning constituted by the first six overtones of the fundamental note C, namely C 2-C 3-G ...
Phrygian half cadence: i-v6-iv6-V in c minor (bassline: c -b ♭-a ♭-g) Play ⓘ. In music theory , the descending tetrachord is a series of four notes from a scale , or tetrachord , arranged in order from highest to lowest, or descending order.
The first few bars of Mazurka, Op. 6 No. 1. The first mazurka of the set is a lively piece that makes use Polish folk rhythms and modes. The main theme, which revolves around triplets and brings heavy accents on the third beat of each bar, is quite melancholy, yet elegant in character.