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The dress and coat combination created an overall effect of sensibility, modesty and girl next door lifestyle that contrasted the very popular, second-skin like style of the bias-cut evening gown. [29] Women wearing snoods in a factory Women's fashion in vacation in Lake Balaton in Hungary (1939).
The most formal evening dress remained a dark tail coat and trousers with a dark or light waistcoat. Evening wear was worn with a white bow tie and a shirt with a winged collar. The less formal dinner jacket or tuxedo, which featured a shawl collar with silk or satin facings, now generally had a single button. Dinner jackets, worn with a white ...
Proper attire for women was enforced for morning, afternoon, and evening activities. In the early part of the decade, wealthy women were still expected to change from a morning to an afternoon dress. These afternoon or "tea gowns" were less form-fitting than evening dresses, featured long, flowing sleeves, and were adorned with sashes, bows, or ...
Janet Arnold (6 October 1932 – 2 November 1998) was a British clothing historian, costume designer, teacher, conservator, and author.She is best known for her series of works called Patterns of Fashion, which included accurate scale sewing patterns, used by museums and theatres alike.
Portrait shows Alexander von Humboldt in formal dress, 1843. The Duke of Beaufort wears a dark coat and breeches with a deep red waistcoat. His black cravat is fastened with a stick pin, and he wears heeled boots in 1845. Alexandre Cabanel wears his cravat loosely tied and secured with a stickpin, 1847. 1847 fashion plate
Roman sandal, a sandal held to the foot by a vamp composed of a series of equally spaced, buckled straps; Saltwater sandals, a flat sandal developed in the 1940s as a way of coping with wartime leather shortages, primarily worn by children; Soft foam sandals, invented in 1973, are made from closed-cell soft foam and uses surgical tubing for the ...
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