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The Holy Family, consisting of Joseph, Mary, a young John the Baptist, and an infant Jesus at Mary's breast, are portrayed in a domestic moment. John appears to be teasing the cat with a captured goldfinch, an allegoric symbol of Christ’s Passion. John's reed rests against a wall in the background.
The face that Neave constructed suggested that Jesus would have had a broad face and large nose, and differed significantly from the traditional depictions of Jesus in renaissance art. [82] Additional information about Jesus' skin color and hair was provided by Mark Goodacre, a New Testament scholar and professor at Duke University. [82]
This category is for specific works that include depictions of Jesus in the visual arts. For articles covering ways of depicting scenes or types of depictions of Jesus in general, see the sub-category Category:Iconography of Jesus. For images of Jesus as an infant with his mother, see Category:Madonna and Child in art.
Sacred Heart of Jesus (Batoni) Saint Anthony with the Christ Child (Murillo) Saint Christopher (after van Eyck) Saint Christopher Carrying the Christ Child; Saint Didacus of Alcalá Presenting Juan de Herrera's Son to Christ; Saint Francis Receiving the Stigmata (Giotto) Saint Francis with the Blood of Christ; Saint Joseph with the Christ Child
First, he describes how "the Child Jesus, about a year old, has almost escaped from his mother's arms. He turns to a lamb and seems to wrap his arms around it." [62] Jesus' gesture of "embracing" the animal is understood as an acceptance of his destiny – an acceptance accentuated by the fact that the Child has joined him on the ground. [63]
The Nativity of Jesus has been a major subject of Christian art since the 4th century. The artistic depictions of the Nativity or birth of Jesus, celebrated at Christmas, are based on the narratives in the Bible, in the Gospels of Matthew and Luke, and further elaborated by written, oral and
Rembrandt et la figure du Christ/Rembrandt and the face of Jesus, Musée du Louvre, Paris, 21 April 2011 – 18 July 2011, Philadelphia Museum of Art, Philadelphia, 3 August 2011 – 30 October 2011, Detroit Institute of Arts, Detroit, 20 November 2011 – 12 February 2012, ISBN 978-88-89854-71-6, cat.no. 35.
In art, a Madonna (Italian:) is a representation of Mary, either alone or with her child Jesus. These images are central icons for both the Catholic and Orthodox churches. [ 1 ] The word is from Italian ma donna 'my lady' (archaic).
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