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Rutter also wrote an arrangement for soprano, alto and keyboard in F major [4] and a version for choir and orchestra. [2] In "The Lord bless you and keep you", Rutter keeps the music restrained and simple. The accompaniment first rests on a pedal point; long chords in the bass change only every half bar, while broken chords in steady quavers ...
The opening of the fifth Seal releases the cries of martyrs for the "Word/Wrath of God". [2] The sixth Seal prompts plagues, storms and other cataclysmic events. [3] [4] The seventh Seal cues seven angelic trumpeters who in turn cue the seven bowl judgments and more cataclysmic events. [5] Lamb opening the seven seals, by Julius Schnorr von ...
Revelation 6 tells of a book or scroll in God's right hand that is sealed with seven seals. The Lamb of God/Lion of Judah opens the first four of the seven seals, which summons four beings that ride out on white, red, black, and pale horses. All of the horsemen save for Death are portrayed as being human in appearance.
The Old Testament uses the phrase "fire and brimstone" in the context of divine punishment and purification. In Genesis 19, God destroys Sodom and Gomorrah with a rain of fire and brimstone (Hebrew: גׇּפְרִ֣ית וָאֵ֑שׁ), and in Deuteronomy 29, the Israelites are warned that the same punishment would fall upon them should they abandon their covenant with God.
In the King James Version of the Bible the text reads: But when he saw many of the Pharisees and Sadducees come to his baptism, he said unto them, O generation of vipers, who hath warned you to flee from the wrath to come? The World English Bible translates the passage as: But when he saw many of the Pharisees and Sadducees coming
It splits verse 2 into two parts and the last half of verse 3 is appended to each part to form two verses. A version titled "O Thou Fount of Every Blessing" and attributed to Robert Robinson is found in several shape-note hymnals of the American South. The melody is attributed to A. Nettleton, while several phrases are changed.
Not withstanding the bitter pamphlet war between Augustus Toplady and John Wesley over the correctness of Calvinist versus Arminian theology, [7] there has been speculation by some, that although Toplady was a Calvinist, the edited version of the words, "Be of sin the double cure, Save from wrath, and make me pure," suggests he agreed with the ...
God the Father turning the press and the Lamb of God at the chalice. Prayer book of 1515–1520. The image was first used c. 1108 as a typological prefiguration of the crucifixion of Jesus and appears as a paired subordinate image for a Crucifixion, in a painted ceiling in the "small monastery" ("Klein-Comburg", as opposed to the main one) at Comburg.