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A major feature of the blues scale is the use of blue notes—notes that are played or sung microtonally, at a slightly higher or lower pitch than standard. [5] However, since blue notes are considered alternative inflections, a blues scale may be considered to not fit the traditional definition of a scale. [6]
"Lenny" is the tenth and final track on the first Stevie Ray Vaughan and Double Trouble album Texas Flood. [1] The song is in 4/4 time and notated in the key of E flat major (but instruments are tuned down a half-step, so the chordal structure is in E). It is played very slowly and freely, with Vaughan alternating between jazz-inflected chords ...
Blues scale on C. Play ... Min'yō scale on D, equivalent to yo scale on C, with brackets on fourths. Play ...
Blues musical styles, forms (12-bar blues), melodies, and the blues scale have influenced many other genres of music, such as rock and roll, jazz, and popular music. [129] Prominent jazz, folk or rock performers, such as Louis Armstrong , Duke Ellington , Miles Davis , and Bob Dylan have performed significant blues recordings.
The blue notes are usually said to be the lowered third, lowered fifth, and lowered seventh scale degrees. [1] [2] [3] The lowered fifth is also known as the raised fourth. [4] Though the blues scale has "an inherent minor tonality, it is commonly 'forced' over major-key chord changes, resulting in a distinctively dissonant conflict of ...
Many blues songs were developed in American folk music traditions and individual songwriters are sometimes unidentified. [1] Blues historian Gerard Herzhaft noted: In the case of very old blues songs, there is the constant recourse to oral tradition that conveyed the tune and even the song itself while at the same time evolving for several decades.
The blues scale is so named for its use of blue notes. Since blue notes are alternate inflections, strictly speaking there can be no one blues scale, [8] but the scale most commonly called "the blues scale" comprises the minor pentatonic scale and an additional flat 5th scale degree: C E ♭ F G ♭ G B ♭ C. [9] [10] [11]
"All Blues" is a jazz composition by Miles Davis first appearing on the influential 1959 album Kind of Blue. It is a twelve-bar blues in 6 8 ; the chord sequence is that of a basic blues and made up entirely of seventh chords , with a ♭ VI in the turnaround instead of just the usual V chord.