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Internet-available illustrations of ancient Christian representations of baptism from as early as the 2nd century include those in CF Rogers, Baptism and Christian Archeology, [136] the chapter "The Didache and the Catacombs" of Philip Schaff's The Oldest Church Manual Called the Teaching of the Twelve Apostles, [137] and Wolfrid Cote's The ...
In Mandaic, Christian baptism is not referred to as maṣbuta, but rather as mamiduta (Classical Mandaic: ࡌࡀࡌࡉࡃࡅࡕࡀ; cognate with Syriac ܡܥܡܘܕܝܬܐ mʿmudita, used by Syriac Christians to refer to baptism [15]), which Mandaean texts describe as unclean since it is performed in standing rather than flowing water.
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Baroque Trinity, Hendrick van Balen, 1620, (Sint-Jacobskerk, Antwerp) Holy Trinity, fresco by Luca Rossetti da Orta, 1738–39 (St. Gaudenzio Church at Ivrea). The Trinity is most commonly seen in Christian art with the Holy Spirit represented by a dove, as specified in the gospel accounts of the baptism of Christ; he is nearly always shown with wings outspread.
On the morning of the vísperas ("eve", i.e., the day before) of the feast, the images of Santo Niño de Cebu and Nuestra Señora de Guadalupe de Cebú are brought back to Cebu City in a fluvial procession that concludes with a reenactment of the first Mass and baptism in the islands.
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The Holy Spirit is often depicted as a dove, based on the account of the Holy Spirit descending like a dove on Jesus at his baptism. [5] In many paintings of the Annunciation, the Holy Spirit is shown in the form of a dove, coming down towards Mary on beams of light, as the Archangel Gabriel announces Christ's coming to Mary.
The use of religious images in general continued to increase up to the end of the 7th century, to the point that in 695, upon assuming the throne, Byzantine emperor Justinian II put an image of Christ on the obverse side of his gold coins, resulting in a rift which ended the use of Byzantine coin types in the Islamic world. [9]
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