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Christoph Abbrederis – illustrator, 2010–2016; Aria Aber – poet, 2019; Nina Chanel Abney – cover artist, 2021; Dan Abromowitz – illustrator, 2021; André Aciman – writer, 1997–2017
Arthur Kimmig Getz (May 17, 1913 – January 19, 1996) was an American illustrator best known for his fifty-year career as a cover artist for The New Yorker magazine. . Between 1938 and 1988, two hundred and thirteen Getz covers appeared on The New Yorker, making Getz the most prolific New Yorker cover artist of the twentieth
Eicke created 51 New Yorker magazine covers from 1946-1961. Much of her work focused on scenes of childhood. [2]In the foreword to an anthology of the magazine's covers, John Updike singled out Eicke as one of the artists who made some of the most appealing covers, "Do you have trouble letting go of old copies of The New Yorker?
This is a list of cartoonists, visual artists who specialize in drawing cartoons.This list includes only notable cartoonists and is not meant to be exhaustive. Note that the word 'cartoon' only took on its modern sense after its use in Punch magazine in the 1840s - artists working earlier than that are more correctly termed 'caricaturists',
Price's first cover for The New Yorker (August 1, 1925). Price worked for over half a century for The New Yorker, drawing hundreds of cartoons and 100 covers, including two in 1925, the monthly magazine's first year ("Heat Wave", August 1, and "Paris Café", August 29).
His family immigrated to New York in 1906. Gellert studied in art schools in New York. His illustrations were first published in radical Hungarian and American magazines, but in the 1920s Gellert worked as a staff artist for The New Yorker magazine and The New York Times newspaper. Although he was opposed to United States' entry into World War ...
However, Irvin had joined an advisory board to help launch The New Yorker and then worked on the magazine's staff as an illustrator and art editor. When he had first taken the job, Irvin had assumed that the magazine would fold after a few issues, [4] but his work would ultimately appear on the cover of 169 issues of The New Yorker between 1925 and 1958.
By 1936 he was informally using the last name Sanderson, a name change that became official as of 1941. Through the 1930s and 1940s, he published magazine illustrations and covers, appearing in The New Yorker, Esquire, Cue, and Harper's. In 1938, he was appointed art director of the McCue Ad Agency in New York. [2]