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Aṟam is the Tamil word for what is known in Sanskrit as 'Dharma', and pāl means 'division'. [5] [6] The concept of aṟam or dharma is of pivotal importance in Indian philosophy and religion. With a long and varied history, the word straddles a complex set of meanings and interpretations, rendering it impossible to provide a single concise ...
The Purananuru (Tamil: புறநானூறு, Puṟanāṉūṟu, literally "four hundred [poems] in the genre puram"), sometimes called Puram or Purappattu, is a classical Tamil poetic work and traditionally the last of the Eight Anthologies (Ettuthokai) in the Sangam literature. [1]
A cir is a single or a combination of more than one Tamil word. For example, the term Tirukkuṟaḷ is a cir formed by combining the two words tiru and kuṟaḷ. [84] The Kural text has a total of 9310 cirs made of 12,000 Tamil words, of which about 50 words are from Sanskrit and the remaining are Tamil original words. [87]
The history of Tamil literature follows the history of Tamil Nadu, closely following the social, economical, political and cultural trends of various periods. The early Sangam literature, dated before 300 BCE, contain anthologies of various poets dealing with many aspects of life, including love, war, social values and religion. [1]
Beschi, the earliest known translator of the Kural text Tamil Wisdom, by Edward Jewitt Robinson, 1873 [1]. The Kural text, considered to have been written in the 1st century BCE, [2] remained unknown to the outside world for close to one and a half millennia.
In these books, Pamban Swami provided quotations from all 108 Upanishads. He is the only saint who composed 50 poems on Murugan in pure Tamil, without using words from other languages, out of his love for Tamil. Pamban Swami once said that anyone who speaks ill of either Sanskrit or Tamil is his enemy. He believed that these two sacred ...
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The Sangam landscape (Tamil: அகத்திணை "inner classification") is the name given to a poetic device that was characteristic of love poetry in classical Tamil Sangam literature. The core of the device was the categorisation of poems into different tiṇai s or modes, depending on the nature, location, mood and type of relationship ...