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Various tribes each held some individual powers locally, and each had a chief known as a weroance (male) or, more rarely, a weroansqua (female), meaning "commander". [13]As early as the era of John Smith, the individual tribes of this grouping were recognized by English colonists as falling under the greater authority of the centralized power led by the chiefdom of Powhatan (c. 1545 – c ...
The Vietnam War had a profound impact on Vietnamese music, inspiring many protest songs and influencing the development of modern Vietnamese music, the introduction of rock came with use of electric guitars to create more aggressive sound on the songs. The main genres that were common in this period were the rock ,folk and soul.
This is an accepted version of this page This is the latest accepted revision, reviewed on 22 December 2024. Leader of the Powhatan Confederacy (c. 1547–c. 1618) This article needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. Find sources: "Powhatan" Native American leader ...
"Bonjour Vietnam" is a song composed by Marc Lavoine, co-written by Lavoine and Yvan Coriat, and recorded by Vietnamese-Belgian singer Quynh Anh.Lavoine said he was impressed by Quynh Anh's charm and talent as well as being touched by the feeling of a small girl who had never seen her homeland, so he wrote the song as a gift for her. [2]
Yellow music (nhạc vàng) refers to music produced in South Vietnam during the Vietnam War, named in opposition to red music (nhạc đỏ) endorsed by the socialist government of North Vietnam during the era of the Vietnamese War. Oftentimes, yellow music is also referred to like new music (tân nhạc), or sugary music (nhạc sến).
This term literally means "nostalgia for the past", it is a special type of singing with the background music often being the đàn tranh zither or the đàn ghi-ta (Vietnamized guitar). In a typical cải lương play, the actresses and actors would use a combination of regular spoken dialogue and vọng cổ to express their thoughts and ...
What is known for sure is that ca trù started off like many of Vietnam's arts as being a form of entertainment for the royal court. Officially ca tru count the age of their profession since The Later Le dynasty ( Vietnamese : Nhà Hậu Lê , 1428–1789), at that time musicians called Vietnamese : hát khuôn performed only on religious court ...
Hát tuồng is often referred to as classical "Vietnamese opera" influenced by Chinese opera. [2] [3] Tuồng is distinct from the older hát chèo genre of Vietnamese theatre which combines dance, song and poetry, and the more modern cải lương folk musical.