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The key to active imagination is restraining the conscious waking mind from exerting influence on internal images as they unfold. For example, if a person were recording a spoken visualization of a scene or object from a dream, Jung's approach would ask the practitioner to observe the scene, watch for changes, and report them, rather than ...
Hyperphantasia is the condition of having extremely vivid mental imagery. [1] It is the opposite condition to aphantasia, where mental visual imagery is not present. [2] [3] The experience of hyperphantasia is more common than aphantasia [4] [5] and has been described as being "as vivid as real seeing". [4]
The "Black Books" are not personal diaries, but the records of the unique self-experimentation which Jung called his ‘confrontation with the unconscious’. He did not record day to day happenings or outer events, but his active imaginations and depictions of his mental states together with his reflections on these.
Fantasy-prone personality (FPP) is a disposition or personality trait in which a person experiences a lifelong, extensive, and deep involvement in fantasy. [1] This disposition is an attempt, at least in part, to better describe "overactive imagination" or "living in a dream world". [2]
Active imagination is a certain way of meditating imaginatively, by which one may deliberately enter into contact with the unconscious and make a conscious connection with psychic phenomena. [ 12 ] A third field of interest and research was synchronicity , psyche and matter, and numbers.
“The problem for a lot of these kids is that psychologically, morally and neurologically they are not fully developed by any stretch of the imagination,” Nash said. That makes it impossible “for the people pulling the triggers, impossible for the medics and corpsmen and doctors who are treating people … you want to try to live up to the ...
"For intuition, therefore, the unconscious images attain the dignity of things or objects. But, because intuition excludes the cooperation of sensation, it obtains either no knowledge at all or, at best, a very inadequate awareness of the innervation disturbances or of the physical effects produced by the unconscious images.
The phenomenon was first described by Francis Galton in 1880 in a statistical study about mental imagery. [2] Galton wrote: To my astonishment, I found that the great majority of the men of science to whom I first applied, protested that mental imagery was unknown to them, and they looked on me as fanciful and fantastic in supposing that the words "mental imagery" really expressed what I ...