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SDC-2000 Spirit DataCine Film Deck, Lens Gate and Local Control Panel. Spirit DataCine is a telecine and a motion picture film scanner.This device is able to transfer 16mm and 35mm motion picture film to NTSC or PAL television standards or one of many High-definition television standards.
The scanner scans the film frames into a file sequence (using high-end computer data storage devices), whose single file contains a digital scan of each still frame; the preferred image file format used as output are usually Cineon, DPX or TIFF, because they can store color information as raw data, preserving the optical characteristics of the ...
In response to the growing demand for film by hobbyists, Kodak launched a newly formulated version of the discontinued Ektachrome 100 in 35mm film format in September 2018. [174] [175] The following year, the company announced the film stock in 120 and 4x5 film formats. [176] B&W Negative Film Kodak Tri-X 320; Kodak Tri-X 400; Kodak TMAX 100 ...
Film scanners can accept either strips of 35 mm or 120 film, or individual slides. Low-end scanners typically only take 35mm film strips, while medium- and high-end film scanners often have interchangeable film loaders. This allows the one scanning platform to be used for different sizes and packaging.
The Cineon System was one of the first computer based digital film systems, created by Kodak in the early 1990s. It was an integrated suite of components consisting a motion picture film scanner, a film recorder and workstation hardware with software (the Cineon Digital Film Workstation) for compositing, visual effects, image restoration and color management.
A common workflow for film editing involves edge-coding printed film simultaneously with the film's synchronized audio track, on 35mm magnetic film, so that a foot of film and its synchronized audio have identical edge numbers. Eastman Kodak began using latent image edge numbering on their manufactured 35mm raw film stocks in 1919. [1] [2]
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