Search results
Results from the WOW.Com Content Network
The Tamil Buddhist tradition developed in Chola literature, such as Buddamitra's Virasoliyam, states that the Vedic sage Agastya learned Tamil from Avalokiteśvara. The earlier Chinese traveler Xuanzang recorded a temple dedicated to Avalokitesvara in the south Indian Mount Potalaka , a Sanskritization of Pothigai , where Tamil Hindu tradition ...
011 Bodhisattva Maitreya, Loriyan Tangai, at the Indian Museum, Kolkata: JPEG file comment: 011 Bodhisattva Maitreya, Loriyan Tangai, at the Indian Museum, Kolkata, photograph by Anandajoti Bhikkhu: Orientation: Normal: Horizontal resolution: 180 dpi: Vertical resolution: 180 dpi: File change date and time: 16:11, 1 March 2013: Y and C ...
The Gilt-bronze Maitreya in Meditation is a gilt-bronze statue of what is believed to be the Maitreya, the future Buddha, in a semi-seated contemplative pose. It is commonly referred to as the Contemplative Bodhisattva, Pensive Bodhisattva, or Gilt-Bronze Seated Maitreya in English. In Korean it is frequently referred to as pan'gasayusang.
An example is the stone sculpture found in the Qingzhou cache dedicated to Maitreya in 529 CE as recorded in the inscription (currently in the Qingzhou Museum, Shandong). The religious belief of Maitreya apparently developed around the same time as that of Amitābha , as early as the 3rd century CE.
The Maitreya Project is an international organisation, operating since 1990, [1] which intends to construct statues of Maitreya Buddha in India and perhaps elsewhere. Initial plans were for a 152-metre (500 ft) colossal statue, to be built in either Kushinagar or Bodhgaya .
The Buddha Maitreya is a statue of Maitreya dated to 5th century China. Made from gilt bronze, the state is the largest early gilt-bronze Chinese sculpture. The statue is in the collection of the Metropolitan Museum of Art. [1]
In Indian art, especially ancient and medieval, the pose is often used for female figures, but in the art of Java these are very rare, and restricted to figures closely following Indian models. This restriction may well be because the normal female dress (though not worn by deities in art) made the pose impossible for women.
[4] According to author Nanditha Krishna , the chaturbhuja representation of Hindu deities in their icons is regarded to depict their unlimited potential. It exhibits their divine ability to wield multiple articles, such as weapons, and perform numerous activities simultaneously.