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Competence is the collection of subconscious rules that one knows when one knows a language; performance is the system which puts these rules to use. [ 7 ] [ 8 ] This distinction is related to the broader notion of Marr's levels used in other cognitive sciences, with competence corresponding to Marr's computational level.
Competence is the collection of subconscious rules that one knows when one knows a language; performance is the system which puts these rules to use. [1] [2] This distinction is related to the broader notion of Marr's levels used in other cognitive sciences, with competence corresponding to Marr's computational level. [3]
He makes a "fundamental distinction between competence (the speaker-hearer's knowledge of his language) and performance (the actual use of language in concrete situation)." [10] A "grammar of a language" is "a description of the ideal speaker-hearer's intrinsic competence", and this "underlying competence" is a "system of generative processes."
In linguistics, it is considered important to distinguish errors from mistakes. A distinction is always made between errors and mistakes where the former is defined as resulting from a learner's lack of proper grammatical knowledge, whilst the latter as a failure to use a known system correctly. [9]
Generative grammar generally distinguishes linguistic competence and linguistic performance. [11] Competence is the collection of subconscious rules that one knows when one knows a language; performance is the system which puts these rules to use.
Performativity is the concept that language can function as a form of social action and have the effect of change. [1] The concept has multiple applications in diverse fields such as anthropology, social and cultural geography, economics, gender studies (social construction of gender), law, linguistics, performance studies, history, management studies and philosophy.
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Early theories acknowledge that performance and text are both embedded in a system of rules and that the effects they can produce depend on convention and recurrence. In this sense, text is an instance of 'restored behaviour', a term introduced by Richard Schechner that sees performance as a repeatable ritual. [ 4 ]