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Two women wearing the robe à la polonaise, literally meaning the Polish dress Jean-Michel Moreau, Le Rendez-vous pour Marly, engraved by Carl Guttenberg c. 1777.. The robe à la polonaise or polonaise, literally meaning the Polish dress, is a woman's garment of the 18th century 1770s and 1780s or a similar revival style of the 1870s inspired by Polish national dress style, costume, [1 ...
August 1882 fashion plate shows the return of the bustle: the tight overdress is looped up behind. Whistler's Portrait of Lady Meux (1881–1882) shows the fashionable full bosom. Misses' Polonaise has fitted bodice with a low point in front. The front of the skirt is cutaway and the back is looped up after the fashion of the 1780s.
Arnold, Janet: Patterns of Fashion 2: Englishwomen's Dresses and Their Construction C.1860–1940, Wace 1966, Macmillan 1972. Revised metric edition, Drama Books 1977. ISBN 0-89676-027-8; Ashelford, Jane: The Art of Dress: Clothing and Society 1500–1914, Abrams, 1996. ISBN 0-8109-6317-5
As the bodices grew longer in 1873, the polonaise was thus introduced into the Victorian dress styles. A polonaise is a garment featuring both an overskirt and bodice together. The tournure was also introduced, and along with the polonaise, it created an illusion of an exaggerated rear end.
The term "Dolly Varden" in dress is generally understood to mean a brightly patterned, usually flowered, dress with a polonaise overskirt gathered up and draped over a separate underskirt. [1] The overdress is typically made from printed cotton or chintz, although it can be made from other materials such as lightweight wool, silk and muslin.
Queen Victoria and the Prince Consort at home, 1841. Her dress shows the fashionable silhouette, with its pointed waist, sloping shoulder, and bell-shaped skirt. 1840s fashion in European and European-influenced clothing is characterized by a narrow, natural shoulder line following the exaggerated puffed sleeves of the later 1820s and 1830s ...
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