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The art of Mathura continued to become more sophisticated during the Gupta Empire, between the 4th and 6th centuries CE. The pink sandstone sculptures of Mathura evolved during the Gupta period (4th to 6th century CE) to reach a very high fineness of execution and delicacy in the modeling, displaying calm and serenity. [226]
Some of the earliest works of art of the Mathura school of art are the Yakshas, monumental sculptures of earth divinities that have been dated to the 2nd-1st century BCE. . Yakshas became the focus of the creation of colossal cultic images, typically around 2 meters or more in height, which are considered as probably the first Indian anthropomorphic productions in sto
(t) the making or publishing of a painting, drawing, engraving or photograph of a sculpture, or other artistic work failing under sub-clause (iii) of clause (c) of section 2 ["any other work of artistic craftsmanship"], if such work is permanently situate in a public place or any premises to which the public has access;
The long-established Mathura school continued as one of the main two schools of Gupta Empire art, joined by the school of Varanasi and nearby Sarnath. [1] Under the Guptas, Mathura remained primarily a center of Buddhist artistic activity and worship, but a few Hindu, especially Vaishnavite, sculptures started to appear. [41]
The Amaravati school of Buddhist art was one of the three major Buddhist sculpture centres along with Mathura and Gandhara and flourished under Satavahanas, many limestone sculptures and tablets which once were plastered Buddhist stupas provide a fascinating insight into major early Buddhist school of arts.
The museum is famous for ancient sculptures of the Mathura school dating from 3rd century BC to 12th century AD., during Kushan Empire and Gupta Empire. [2] today it is one of the leading museums of Uttar Pradesh. [3] The Government of India issued a postage stamp on 9 October 1974 on the centenary of the museum.
Some of the earliest works of art of the Mathura school of art are the Yakshas, monumental sculptures of earth divinities that have been dated to the 2nd-1st century BCE. . Yakshas became the focus of the creation of colossal cultic images, typically around 2 meters or more in height, which are considered as probably the first Indian anthropomorphic productions in sto
The sculptures and the inscriptions found at Kankali Tila suggest that in that period a clear Digambar-Shwetabar division had not risen. The Tirthankar images are all unclothed and monks are represented as not wearing a loincloth, but with cloth on one forearm as described in ancient Śvetāmbara texts such as the Ācārāṅga Sūtra and the Kalpa Sūtra.