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Martin Scorsese in 2024.. After Raging Bull in the early 1980s, Martin Scorsese considered quitting filmmaking, wanting to travel to Rome to shoot a series of television documentaries on the lives of different saints: "I literally thought it would be my last film," said Scorsese in 2016, referring to Raging Bull.
Decades later, the Killers of the Flower Moon director explores the lives of several of these historical figures in the Fox Nation docudrama Martin Scorsese Presents: The Saints, premiering on ...
Martin Scorsese is partnering with Fox Nation for an eight-part docudrama series, “Martin Scorsese Presents: The Saints.” Hosted, narrated and executive produced by Scorsese, the series will ...
The Mean Streets andGangs of New York filmmaker became fascinated by statues of saints that were positioned around this house of prayer.. The saints — deceased figures who lived holy lives and ...
A docudrama, in which historical fidelity is the keynote, is generally distinguished from a film merely "based on true events", a term which implies a greater degree of dramatic license, and from the concepts of historical drama, a broader category which may also incorporate entirely fictionalized events intermixed with factual ones, and ...
The Saint, a television film; The 3rd Street Saints, a street gang in the Saints Row series of video games; Saint, an alien race in the Mahoromatic manga and anime series; One half of Boxers and Saints, graphic novels by Gene Luen Yang; Martin Scorsese Presents: The Saints, 2024 docudrama series
The film depicts the persecution of Latter-day Saints in Mexico during the Mexican Revolution and the death of two Church members for not denying their faith. Last Day At Carthage: 1967 6 min. Depicts the martyrdom of Joseph and Hyrum Smith at Carthage Jail; a narration with photography of the jail and the surrounding landscape in black and white.
Docufiction (or docu-fiction) is the cinematographic combination of documentary and fiction, this term often meaning narrative film. It is a film genre [ 1 ] which attempts to capture reality such as it is (as direct cinema or cinéma vérité ) and which simultaneously introduces unreal elements or fictional situations in narrative in order to ...