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The United States and Fascist Italy, 1922–1940 (1988) OL 2389786M; Thompson, Doug, and Aron Thompson. State Control in Fascist Italy: Culture and Conformity, 1925–43 (Manchester University Press, 1991). Tollardo, Elisabetta. Fascist Italy and the League of Nations, 1922–1935 (Palgrave Macmillan UK, 2016). Whittam, John.
Italian weapon and gun laws impose restriction upon kind of firearms, Calibers, and magazine available to civilians, also including limitation to cold weapons, especially in relation to the purpose and place. [7] Italian laws distinguish weapons into proper and improper weapons, and the first into white weapons and fire weapons.
In that year, the Fascist government attempted to have the Italian national flag redesigned to incorporate the fasces. [102] This was stopped by the strong opposition of Italian monarchists. [102] Afterwards, the Fascist government in public ceremonies raised the national tricolour flag along with a Fascist black flag. [103]
In Italy, the Italian Fascist movement in 1919 wore black military-like uniforms and was nicknamed Blackshirts. In power, uniforms during the Fascist era extended to both the party and the military which typically bore fasces or an eagle clutching a fasces on their caps or on the left arm section of the uniform.
Flag of the National Fascist Party of Italy (1926–1943). Fascism used the fasces as its political symbol. Greater coat of arms of Italy of 1929–1943, during the Fascist era, bearing the fasces
Fascist Italy reflected the belief of most Italians that homosexuality was wrong. Instead of the traditional Catholic teaching that it was a sin, a new approach was taken, based on the contemporary psychoanalysis, that it was a social disease. [77] Fascist Italy pursued an aggressive campaign to reduce prostitution of young women. [77]
Europe’s anti-fascist movement adopts the clenched fist ... the motion was interpreted as a demonstration that the man who killed scores of people in gun and bomb attacks in July 2011 felt no ...
The book Fascism and theatre: comparative studies on the aesthetics and politics of performance by Günter Berghaus on page 90 describes the use of "the [Italian] tricolour and the black flag of Fascism" in 1934 that "were raised onto the façade of the entrance hall, where throughout the day they were protected by a guard of honour."