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The episode in Beowulf (lines 1068–1158) is about 90 lines long and appears in the form of a lay sung by Hrothgar's scop at a feast in celebration of Beowulf's recent exploit. The lay identifies Hnæf's last struggle as the aftermath of a battle described as Fres-wæl ("Frisian slaughter").
The parallel in the story lies with the similarity to Beowulf's hero Sigemund and his companion: Wiglaf is a younger companion to Beowulf and, in his courage, shows himself to be Beowulf's successor. [ 30 ] [ 31 ] The presence of a companion is seen as a motif in other dragon stories, but the Beowulf poet breaks hagiographic tradition with the ...
Wiglaf is the single warrior to return and witness Beowulf's death. Illustration by J. R. Skelton, 1908. Beowulf returns home and eventually becomes king of his own people. One day, fifty years after Beowulf's battle with Grendel's mother, a slave steals a golden cup from the lair of a dragon at Earnanæs. When the dragon sees that the cup has ...
After one of Beowulf's victories, a scop or court-poet narrates an old tale to the assembled guests. This tale narrates the events that follow after the story found in the Finnesburg Fragment. [5] The Beowulf poet, however, makes his scop give the account in an extremely compact and allusive way. The audience of the poem were probably expected ...
Beowulf's sword broke, but he dealt the dragon its death-blow with his dagger. He had been mortally wounded by the dragon's poisonous bite. Dying, he was carried out by Wiglaf, and with his last breaths named Wiglaf his rightful heir. His body was burned on a funeral pyre, and his ashes buried in a barrow by the sea.
Beowulf is an epic poem in Old English, telling the story of its eponymous pagan hero.He becomes King of the Geats after ridding Heorot, the hall of the Danish king Hrothgar, of the monster Grendel, [a] who was ravaging the land; he dies saving his people from a dragon.
The book is based on an edited series of lectures Tolkien made before and after World War II.In his lectures, Tolkien argued that the Hengest of "The Fight at Finnsburg" and Beowulf was a historical rather than a legendary figure, and that these works record episodes from an orally composed and transmitted history of the Hengest named in the Anglo-Saxon Chronicle. [1]
The former, subtitled "Beowulf and Grendel", is a poem or song [5] of seven eight-line stanzas about Beowulf's victory over Grendel. The latter is a poem of fifteen eight-line stanzas on the same theme; several of the stanzas, including the first and the last, are almost identical with the first version.