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The lawsuit also refers to the lyrics of a song "Rap Saved Me" by 21 Savage, Offset, Metro Boomin and Quavo, which include the lines: “She took a Xanny, then she fainted/ I’m from the gutter, ain’t no changing/ From the gutter, rap saved me/ She drive me crazy, have my baby.” The woman believes the lyrics recount the alleged assault and ...
Metro announced he would offer a free beat and a $10,000 cash prize to whoever delivered the best rap over the backing track in an effort to deride Canadian rapper Drake. [3] The song's title derives from rapper Rick Ross ironizing about a rumor that Drake received plastic surgery on his abs and on his nose, using the slang term "BBL", [ 4 ...
Heroes & Villains (stylized in all caps) is the second studio album by American record producer Metro Boomin. It was released through Republic Records and Boominati on December 2, 2022. The album contains guest appearances from John Legend , Future , Chris Brown , Don Toliver , Travis Scott , 21 Savage , Young Nudy , Young Thug , the Weeknd ...
Picking his proudest moment from the past year is not easy for Metro Boomin. The super-producer has been on quite a run since releasing his second solo album, “Heroes & Villains,” in December ...
Now, rap fans are waiting for the next moves in the latest rap feud. Metro Boomin and Future are headed out on tour. Tickets will be available starting with a Cash App presale on Wednesday, April ...
Not All Heroes Wear Capes received positive reviews from music critics. Alphonse Pierre of Pitchfork described Not All Heroes Wear Capes as "a high-profile guest-filled album that builds on and creates a bigger version of the dark, hard-hitting production that has turned Metro into rap’s definitive producer of the last five years."
The buzz only built when Metro Boomin and Future headlined the Rolling Loud California festival just prior to the song’s release, and Travis Scott personally asked them to play it during their set.
Hamza Riaz of Mic Cheque wrote in a review of Heroes & Villains, "There's no sensational beat that holds a candle to production like Without Warning's "Rap Saved Me" or the layers of "Don't Come Out the House", bringing up the "first twenty seconds" of "Umbrella" as one of the "closest moments" but also stating that the production "should have returned at some point in the song".