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2. List of Chinese films of the 1990s - Wikipedia

   en.wikipedia.org/wiki/List_of_Chinese_films_of...

   This is a list of films produced in mainland China ordered by year of release in the 1990s. For an alphabetical listing of Chinese films see Category:Chinese films 1990

3. Category:1990s Cantonese-language films - Wikipedia

   en.wikipedia.org/wiki/Category:1990s_Cantonese...

   The Banquet (1991 film) The Bare-Footed Kid; Beast Cops; Best of the Best (1992 film) Beyond Hypothermia (film) Big Bullet; Bio Zombie; Bishonen (film) Black Mask (film) The Black Panther Warriors; Black Rose II; Blade of Fury; The Blade (film) Blood Stained Tradewinds; The Bodyguard from Beijing; Bomb Disposal Officer: Baby Bomb; Boys Are Easy ...

4. Saviour of the Soul - Wikipedia

   en.wikipedia.org/wiki/Saviour_of_the_Soul

   The film adapts elements from the Japanese manga series City Hunter, including its characters, but with a mostly different plot; the manga later received an official adaptation with Jackie Chan's City Hunter in 1993. [2] Saviour of the Soul II was released in 1992, but both films are not related to each other.

5. Lee Rock - Wikipedia

   en.wikipedia.org/wiki/Lee_Rock

   Lee Rock (Chinese: 五億探長雷洛傳: 雷老虎) is a 1991 Hong Kong crime film directed by Lawrence Ah Mon, and starring Andy Lau as the title character. [1] The film chronicles the rise and fall of a corrupt police force that Lee Rock becomes a part of. The film was followed by a sequel, Lee Rock II, released later in the same year.

6. Once Upon a Time in China - Wikipedia

   en.wikipedia.org/wiki/Once_Upon_a_Time_in_China

   Once Upon a Time in China was released in Hong Kong on 15 August 1991. [2] The film was a box office hit and is largely credited with starting the period martial arts craze of the early to mid 1990s. It ran for almost two months, the longest duration for any of the series, and grossed HK$29,672,278 in Hong Kong. [ 3 ]

7. Center Stage (1991 film) - Wikipedia

   en.wikipedia.org/wiki/Center_Stage_(1991_film)

   The film alternates between present scenes (production talks between director Kwan, Cheung, and co-star Carina Lau, interviews of witnesses who knew Ruan), re-creation scenes with Cheung (as Ruan, acting inside this movie), and extracts from Ruan's original films including her final two films The Goddess (1934) and New Women (1935).