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Scout at Ship's Wheel, 1913. Norman Rockwell was born on February 3, 1894, in New York City, to Jarvis Waring Rockwell and Anne Mary "Nancy" (née Hill) Rockwell [13] [14] [15] His father was a Presbyterian and his mother was an Episcopalian; [16] two years after their engagement, he converted to the Episcopal faith. [17]
Triple Self-Portrait is an oil painting on canvas measuring 34.5 by 44.5 inches (88 cm × 113 cm). [2] Set in a white void, it depicts a rear-view Rockwell sitting at an easel producing a self-portrait.
After Rockwell retired in 1976, the BSA asked artist Joseph Csatari to take over the calendar series. [16] From 1969 to 1972, Csatari was the art director in the advertising division of the BSA; he became the art director of Boys' Life in 1973. [17] Between 1977 and 1990, Csatari created 14 paintings for the BSA's Brown & Bigelow calendar.
The Rookie or The Rookie (Red Sox Locker Room) is a 1957 painting by American artist Norman Rockwell, painted for the March 2, 1957, cover of The Saturday Evening Post magazine. [ 1 ] The painting depicts several Boston Red Sox baseball players in a locker room, joined by an apparent new player who is dressed in street clothes and carrying a ...
In 1916, Saturday Evening Post editor George Horace Lorimer discovered Norman Rockwell, then an unknown 22-year-old New York City artist. Lorimer promptly purchased two illustrations from Rockwell, using them as covers, and commissioned three more drawings. Rockwell's illustrations of the American family and rural life of a bygone era became icons.
Freedom of Worship or Freedom to Worship is the second of the Four Freedoms oil paintings produced by the American artist Norman Rockwell.The series was based on the goals known as the Four Freedoms enunciated by Franklin D. Roosevelt, president of the United States from 1933 to 1945, in his State of the Union Address delivered on January 6, 1941.
Breaking Home Ties is a painting by American illustrator Norman Rockwell, created for the September 25, 1954, cover of The Saturday Evening Post.The picture represents a father and son waiting for a train that will take the young man to the state university.
Rockwell focuses on just a small part of the Statue of Liberty – the torch, a 42 feet (13 m) long arm, and part of the head of the colossal statue, silhouetted against a clear summer blue sky. Five workmen are attached to the statue by ropes, including one who is a caricature of Rockwell himself, and one African-American in a red shirt.
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