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Shangdi (Chinese: 上帝; pinyin: Shàngdì; Wade–Giles: Shang 4 Ti 4), also called simply Di (Chinese: 帝; pinyin: Dì; lit. 'God'), [1] is the name of the Chinese Highest Deity or "Lord Above" in the theology of the classical texts, especially deriving from Shang theology and finding an equivalent in the later Tiān ("Heaven" or "Great Whole") of Zhou theology.
According to Shaiva tradition, the trishula is the most powerful weapon in Hindu mythology, being infallible and capable of destroying anything except for Shiva and Parvati. Sudarshana Chakra: Vishnu: Vishnu's celestial discus, created for him by Vishvakarma. Vaishnava traditions hold it to be the most powerful weapon in Hindu mythology. It is ...
Wisnu is the god of justice or welfare, Wisnu was the fifth son of Batara Guru and Batari Uma. He is the most powerful son of all the sons of Batara Guru. Wisnu is described as a god who has bluish black or dark blue skin, has four arms, each of which holds a weapon, namely a mace, a lotus, a trumpet and a Cakra. He can also do tiwikrama ...
This is an index of lists of deities of the different religions, cultures and mythologies of the world.. List of deities by classification; Lists of deities by cultural sphere
In classical Sanskrit, the word ambaka denotes "an eye", and in the Mahabharata, Shiva is depicted as three-eyed, so this name is sometimes translated as "having three eyes". [203] However, in Vedic Sanskrit, the word ambā or ambikā means "mother", and this early meaning of the word is the basis for the translation "three mothers".
Shiva is the supreme God and performs all actions, of which destruction is only but one. Ergo, the Trimurti is a form of Shiva Himself for Shaivas. Shaivites believe that Shiva is the Supreme, who assumes various critical roles and assumes appropriate names and forms, and also stands transcending all these. [ 16 ]
Most consider it to be derived from a contraction of the Arabic definite article al-and ilāh "deity, god" to al-lāh meaning "the deity, the God". [20] Indeed, there is "the interchangeability of al-ilāh and allāh in early Arabic poetry even when composed by the Christian ʿAdī ibn Zayd . [ 21 ]
A diagram of the names of God in Athanasius Kircher's Oedipus Aegyptiacus (1652–1654). The style and form are typical of the mystical tradition, as early theologians began to fuse emerging pre-Enlightenment concepts of classification and organization with religion and alchemy, to shape an artful and perhaps more conceptual view of God.
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