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Each signal (e.g., a singer's vocal mic, the signal from an electric bass amp's DI box, etc.) that is plugged into the mixer has its own channel. Depending on the specific mixer, each channel is stereo or monaural. On most mixers, each channel has an XLR input, and many have RCA or quarter-inch TRS phone connector line inputs. The smallest ...
The next keyboard amp in the Peavey line is the KB 2. It has one ten-inch speaker "four separate channels, including a mic input on channel 3 and a monitor input on channel 4", a "2-band EQ per channel, headphone out, FX send/return, and balanced XLR out", and it is rated at 40 watts. [3] This amp would be a good model for at-home practice.
Microphone mono: Audio signal received through one of the (typically two: MIC1 and MIC2, switchable) analog microphone inputs. MIC1 is typically connected to the external microphone jack (colored pink under PC99). An optional 20 decibel (10× voltage) amplifier can be activated for this input in most mixers. Line in stereo
Each incorporate a multi-channel FireWire audio interface and full DSP with a customizable MIDI control surface. Interfacing and performing with all types of software become seamless. Both mixers had Traktor Scratch Certification. Korg KM Mixers – KM202 and KM404 are Korg's 2 and 4 channel DJ Mixers
[1] [2] The XL3 and XL4 established Midas as a leading live console manufacturer for the next two decades, [3] and the XL series would grow to include the XL200, and XL250, as well as smaller models targeted at the club and regional sound market. A Midas Heritage 3000 mixing console on the right at the Front of House position at an outdoor concert.
Inserts on analog mixers appear in various locations in the signal flow, depending on user configuration or the vision of the designer. Most inserts tap the signal after the microphone preamplifier and after the high-pass filter, if present. Others tap the signal after the channel EQ and before the fader.
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