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Grand Traverse Band Kelly Church, Wasco-Wishram Pat Gold, and Eastern Band Cherokee Joel Queen all weave baskets from copper sheets or wire, and Mi'kmaq-Onondaga conceptual artist Gail Tremblay weaves baskets in the traditional fancywork patterns of her tribes from exposed film. Basketry can take many forms.
The King Wolf, pyrography on olive wood by Roberto Frangioni Piroritrattista Framàr. Pyrography or pyrogravure is the free handed art of decorating wood or other materials with burn marks resulting from the controlled application of a heated object such as a poker. It is also known as pokerwork or wood burning. [1]
Wood carvings such as those by Central Australian artist Erlikilyika shaped like animals, were sometimes traded to Europeans for goods. The reason Aboriginal people made wood carvings was to help tell their Dreaming stories and pass on their group's lore and essential information about their country and customs.
Kullu is famous for its shawls with striking patterns and vibrant colors. Himachali caps are of typical styles and they differ region to region. In Kinnaur, shawls, saris and trousers are woven in wool. The shawls woven in Rampur, known as Rampur chaddar, are known for their soft texture and durability.
Pre-European Māori had no written language so tribal history and beliefs were kept in the form of objects ranging from woven baskets to complex carvings in wood, bone, shell and greenstone. These objects or 'taonga' were passed down through generations of tribal elders, taking on the spirits of past owners.
Totem poles, a type of Northwest Coast art. Northwest Coast art is the term commonly applied to a style of art created primarily by artists from Tlingit, Haida, Heiltsuk, Nuxalk, Tsimshian, Kwakwaka'wakw, Nuu-chah-nulth and other First Nations and Native American tribes of the Northwest Coast of North America, from pre-European-contact times up to the present.
Tribal art is the visual arts and material culture of indigenous peoples. Also known as non-Western art or ethnographic art , or, controversially, primitive art , [ 1 ] tribal arts have historically been collected by Western anthropologists, private collectors, and museums, particularly ethnographic and natural history museums .
Light burning is also been called "Paiute forestry," a direct but derogatory reference to southwestern tribal burning habits. [52] The ecological impacts of settler fires were vastly different than those of their Native American predecessors. Cultural burning practices were functionally made illegal with the passage of the Weeks Act in 1911. [53]
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