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This is a list of original Roman Catholic hymns. The list does not contain hymns originating from other Christian traditions despite occasional usage in Roman Catholic churches. The list has hymns in Latin and English.
List of Catholic Church musicians is a list of people who perform or compose Catholic music, a branch of Christian music.Names should be limited to those whose Catholicism affected their music and should preferably only include those musicians whose works have been performed liturgically in a Catholic service, or who perform specifically in a Catholic religious context.
The music was composed in 1869 by Charles Gounod, for the celebration on 11 April 1869 of Pope Pius IX's golden jubilee of priestly ordination. The purely instrumental piece in three parts, [ 3 ] originally called "Marche pontificale" ( French for "Pontifical March"), became extremely popular from its first performance.
The Emory Hymnal: a collection of sacred hymns and music for use in public worship (1887) [464] Selection of Hymns, for the use of the first M. E. Church, [465] Cape May City [466] The Emory Hymnal: No. 2, sacred hymns and music for use in public worship (1891) [467] Hymnal of the Methodist Episcopal Church (1891) [468]
Many of the contemporary artists who authored the folk music that was used in American Catholic Liturgy choose F.E.L. to be their publisher, as did Ray Repp, who pioneered contemporary Catholic liturgical music and authored the "First Mass for Young Americans", a suite of folk-style musical pieces designed for the Catholic liturgy. Repp gave an ...
"O sanctissima" (O most holy) is a Roman Catholic hymn in Latin, seeking the prayers of the Blessed Virgin Mary, and often sung in various languages on her feast days.The earliest known publication was from London in 1792, presenting it as a traditional song from Sicily; no original source or date has been confirmed for the simple melody or poetic text.
O Salutaris Hostia" (Latin, "O Saving Victim" or "O Saving Sacrifice") is section of one of the Eucharistic hymns written by Thomas Aquinas for the Feast of Corpus Christi and the Hour of Lauds in the Divine Office. It is actually the last two stanzas of the hymn Verbum supernum prodiens and is used for the Adoration of the Blessed Sacrament.
The fourth stanza finally addresses the present congregation to join together in praise. So, this hymn addresses the traditional Three States of the Church (the Church Triumphant, the Church Expectant, the Church Militant), reflecting the belief in the communion of saints. [4] The original text follows: [2] Ye watchers and ye holy ones,