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The hidden roof (野屋根, noyane) [note 1] is a type of roof widely used in Japan both at Buddhist temples and Shinto shrines. It is composed of a true roof above and a second roof beneath, [ 1 ] permitting an outer roof of steep pitch to have eaves of shallow pitch, jutting widely from the walls but without overhanging them. [ 2 ]
It is the largest Wikipedia written in any Slavic language, surpassing its nearest rival, the Polish Wikipedia, by 20% in terms of the number of articles and fivefold by the parameter of depth. [4] In addition, the Russian Wikipedia is the largest Wikipedia written in Cyrillic [5] or in a script other than the Latin script. In April 2016, the ...
The Serbian Wikipedia (Serbian: Википедија на српском језику, Vikipedija na srpskom jeziku) is the Serbian-language version of the free online encyclopedia Wikipedia. Created on 16 February 2003, it reached its 100,000th article on 20 November 2009 before getting to another milestone with the 200,000th article on 6 July ...
In origin they were necessary to help support the roof; however, at the end of the 10th century the invention of the hidden roof [note 1] made them superfluous. [2] They remained in use, albeit in a purely decorative role, and are typical of the Wayō style. The Zenshūyō style used by Zen temples has instead bracket complexes even between posts.
العربية; Azərbaycanca; تۆرکجه; 閩南語 / Bân-lâm-gú; Беларуская; Беларуская (тарашкевіца) Boarisch; Чӑвашла
Simonov was born in Petrograd in 1915. [3] His mother, Princess Aleksandra Leonidovna Obolenskaya, came of the Rurikid Obolensky family. His father, Mikhail Agafangelovich Simonov, an officer in the Tsar's army, left Russia after the Revolution of 1917 and died in Poland sometime after 1921. [4]
The second, false roof hides the first, making it possible to obtain sloping roofs and shallow eaves. [3] The invention of the hidden roof in the 10th century allowed the inclination of the roof's underside to be completely different from that of the exterior, thus making Japanese temples feel very different from their Chinese counterparts.
Carpenter has stated that the themes of They Live stemmed from his dissatisfaction with the economic policies of then-U.S. President Ronald Reagan, as well as what Carpenter saw as increasing commercialization in both popular culture and politics. [8] They Live was a minor success upon release, debuting at number 1 at the North American box office.