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The oppositional gaze is a term coined by bell hooks the 1992 essay The Oppositional Gaze: Black Female Spectators that refers to the power of looking. According to hooks, an oppositional gaze is a way that a Black person in a subordinate position communicates their status. hooks' essay is a work of feminist film theory that discusses the male gaze, Michel Foucault, and white feminism in film ...
In relation to Lacan's mirror stage, during which a child develops the capacity for self-recognition, and thus the ego ideal, the oppositional gaze functions as a form of looking back, in search of the black female body within the cinematic idealization of white womanhood. [40]
The gaze can be understood in psychological terms: "to gaze implies more than to look at – it signifies a psychological relationship of power, in which the gazer is superior to the object of the gaze." [4] In Practices of Looking: An Introduction to Visual Culture (2009), Marita Sturken and Lisa Cartwright said that "the gaze is [conceptually ...
Gloria Jean Watkins (September 25, 1952 – December 15, 2021), better known by her pen name bell hooks (stylized in lowercase), [1] was an American author, theorist, educator, and social critic who was a Distinguished Professor in Residence at Berea College. [2]
Jennifer Lopez is looking back on 2024 with gratitude, and toward 2025 with positivity. The actress and singer posted a video montage recapping her year with some memorable moments featured ...
“I walked behind Sarah Jessica and she was looking up in the big mirror and she looks and sees me and says, ‘Hey, I know you. You're the dog guy.’ And I said, ‘Okay, God, you can take me now.
The chaotic video is as sweet as can be, but nothing is cuter than Shadow's new look. OMG—she's darling! Shadow has the perfect name for her jet-black coat, though it also makes me wonder ...
Mulvey discussed aspects of voyeurism and fetishism in the male gaze in her article, "Visual Pleasure and Narrative Cinema".She drew from Alfred Hitchcock's 1954 film, Rear Window, applying terms from Sigmund Freud's theories of psychoanalysis to discuss camera angle, narrative choice, and props in the movie while focusing on the concept of the male gaze.