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Blood, Sweat & Tears is the second album by the American band Blood, Sweat & Tears, released on December 11, 1968.It was the most commercially successful album for the group, rising to the top of the U.S. charts for a collective seven weeks and yielding three successive Top 5 singles.
The follow-up album, Blood, Sweat & Tears 3, also reached number one in the U.S. In addition to original music, the group is known for arrangements of popular songs by Laura Nyro , James Taylor , Carole King , the Band , the Rolling Stones , Billie Holiday and many others.
Title Album details Peak chart positions Certifications; US [1]AUS [4]CAN [5]Greatest Hits: Released: February 1972; Label: Columbia; Formats: LP, MC, 8-track, reel-to-reel
The band would later have two number one albums and several Grammys, although Kooper felt they were playing music that he didn't agree with. [2] Despite being asked to leave Blood, Sweat & Tears, Kooper felt everything worked out well for him and the band. [2]
Clayton-Thomas's first album with the band, Blood, Sweat & Tears (which was released in December 1968) – despite being self-titled, it was actually the band's second album – sold ten million copies worldwide. The record topped the Billboard album chart for seven weeks and charted for 109 weeks.
Greatest Hits is a compilation album by the band Blood, Sweat & Tears, initially released in February 1972. Although Blood, Sweat & Tears continued to record and tour for several more years, the band's lineup changed dramatically after Blood, Sweat & Tears 4. This compilation album includes all of the group's best-known material up to that time.
B, S & T; 4 (also expanded as Blood, Sweat & Tears; 4) is the fourth album by the band Blood, Sweat & Tears, released in June 1971. It peaked at number 10 on the Billboard Pop albums chart. The band invited former member Al Kooper to contribute the song "John the Baptist (Holy John)." Trombonist Dave Bargeron replaced Jerry Hyman.
The song appeared on the self-titled second album by Blood, Sweat & Tears. It was the third single from the album, peaking at #2 on the Hot 100; the album's previous two singles had also stalled at #2 on the same chart. The three singles each charted thirteen weeks on the Hot 100.
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