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In many cases, the Laghu-Prabandha-Saṅgraha version appears to be the oldest, being simpler, less polished, and more archaic in language. [5] This does not mean that the compiler of the Laghu-Prabandha-Saṅgraha was the original writer of the stories: he may have borrowed the stories from older literature or oral tradition. [6]
The largest part of Sri Lankan literature was written in the Sinhala language, but there is a considerable number of works in other languages used in Sri Lanka over the millennia (including Tamil, Pāli, and English). However, the languages used in ancient times were very different from the language used in Sri Lanka now.
Through the 1960s, under its founding editor Balkrishna Rao and later under Rajendra Awasthi, Kadambini and a few other leading publications of the time, started publishing short stories (laghu katha) by leading writers like Agyeya, Mahadevi Verma, Kunwar Narayan and Ramanada Doshi.
Katha (or Kathya) is an Indian style of religious storytelling, performances of which are a ritual event in Hinduism. It often involves priest -narrators ( kathavachak or vyas ) who recite stories from Hindu religious texts , such as the Puranas , the Ramayana or Bhagavata Purana , followed by a commentary ( Pravachan ).
The Sinhala script (Sinhala: සිංහල අක්ෂර මාලාව, romanized: Siṁhala Akṣara Mālāva), also known as Sinhalese script, is a writing system used by the Sinhalese people and most Sri Lankans in Sri Lanka and elsewhere to write the Sinhala language as well as the liturgical languages Pali and Sanskrit. [3]
Guththila Kawya (Sinhala: ගුත්තිල කාව්ය, Anglicized: Guttila Kāvya) is a book of poetry written in the period of the Kingdom of Kotte (1412-1597) by Weththewe Thero. [ 1 ] The book is based on a story of previous birth of Gautama Buddha mentioned on Guththila Jataka in Jataka tales of Gautama Buddha.
Sanskrit prosody or Chandas refers to one of the six Vedangas, or limbs of Vedic studies. [1] It is the study of poetic metres and verse in Sanskrit. [1] This field of study was central to the composition of the Vedas, the scriptural canons of Hinduism; in fact, so central that some later Hindu and Buddhist texts refer to the Vedas as Chandas.
Shortly thereafter he began a campaign to raise literary standards for the Sinhalese reading public with work such as Sahityodaya Katha (1932), Vichara Lipi (1941), Guttila Geetaya (1943) and Sinhala Sahityaye Nageema (1946) in which he evaluated the traditional literally heritage according to set rules of critical criteria formed by ...