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A restored gesso panel representing St. Martin of Tours, from St. Michael and All Angels Church, Lyndhurst, Hampshire. Gesso (Italian pronunciation:; 'chalk', from the Latin: gypsum, from Greek: γύψος), also known as "glue gesso" or "Italian gesso", [1] is a white paint mixture used to coat rigid surfaces such as wooden painting panels or masonite as a permanent absorbent primer substrate ...
White ground provides the greatest freedom of choice for colors, while colored grounds reduce the color range and force the use of more opaque paint application. [1] For paintings on panels, gesso is typically used as a ground; on canvas the ground can be yet another (inert) paint layer.
White-ground technique is a style of white ancient Greek pottery and the painting in which figures appear on a white background. It developed in the region of Attica , dated to about 500 BC. It was especially associated with vases made for ritual and funerary use, if only because the painted surface was more fragile than in the other main ...
In reference to work on picture frames and paintings moulded and gilded gesso is still commonly described as pastiglia, [3] but in recent decades writers on furniture and the decorative arts tend to distinguish between this and "true" pastiglia, or white lead pastiglia [4] which is defined as being made from white lead powder, made by combining powdered lead and vinegar in an anaerobic ...
He did a body of black and white in the early 70s – using only black acrylic on a white gesso ground – a compositional motive emerged as be reduced a complicated image to its essence. The painted areas became the negative space while the original white ground became bold jagged lines piercing the blackness award for one of these paintings ...
Bellini coated the wood panel with a gesso ground and provided an intricate underdrawing applied with a liquid medium, which provide the painting with a great complexity in texture especially seen in the tunic of Jesus. [3] Bellini's painting situates the viewer at a great crossroads in the life of Jesus. The painting cannot visually represent ...
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