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Neuroesthetics (or neuroaesthetics) is a recent sub-discipline of applied aesthetics. Empirical aesthetics takes a scientific approach to the study of aesthetic experience of art , music , or any object that can give rise to aesthetic judgments. [ 2 ]
When Sinatra returned to the Paramount in October 1944, only 250 persons left the first show, and 35,000 fans left outside caused a near riot, known as the Columbus Day Riot, outside the venue because they were not allowed in. [97] [98] [99] Such was the bobby-soxer devotion to Sinatra that they were known to write Sinatra's song titles on ...
The use of the audio has even garnered interest from the official Frank Sinatra account, which shared a roundup of the celebrities and icons who have used the song in their videos.
A Tribute to Frank Sinatra is a 1999 album by Klaus Wunderlich, ... "Night and Day" (Porter) "I'm Getting Sentimental Over You" (George Bassman, Ned Washington)
Sinatra's Sinatra is an album by American singer Frank Sinatra, released in 1963.. Ten of the album's twelve tracks are re-recorded versions of songs that Sinatra had previously released, with "Pocketful of Miracles" and "Call Me Irresponsible" being first-time recordings for Sinatra.
Night and Day: 1942, 1947, 1956, 1961, 1977: Cole Porter: The Night Is Young and You're So Beautiful: 1945: Irving Kahal, Billy Rose, Dana Suesse: The Night We Called it a Day: 1942, 1947, 1957: Tom Adair, Matt Dennis: A Nightingale Sang in Berkeley Square: 1962: Eric Maschwitz, Manning Sherwin: No One Ever Tells You: 1956: Hub Atwood, Carroll ...
Beverly Hills locals Frank Sinatra, left, and Dean Martin enjoy their distinctive brand of boozy hijinks â but a barroom brawl and an errant telephone upended the good times in 1966.
Frank Sinatra recorded the song at least five times, including with Axel Stordahl in his first solo session in 1942 and again with him in 1947, with Nelson Riddle in 1956 for A Swingin' Affair!, with Don Costa in 1961 for Sinatra and Strings, and a disco version with Joe Beck in 1977. When Harry James heard Sinatra sing this song, he signed him ...