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The song has a characteristic bass line and is set to a funk beat.For the most part, it is built entirely on a two-chord vamp: a i-IV in B ♭ Dorian (B ♭ m7 and E ♭ 7). [5] The piece's signature 12-note bass line was played by Hancock on an ARP Odyssey, [6] [7] as was one of the keyboard solos.
Bassline (also known as a bass line or bass part) is the term used in many styles of music, such as blues, jazz, funk, dub and electronic, traditional, and classical music, for the low-pitched instrumental part or line played (in jazz and some forms of popular music) by a rhythm section instrument such as the electric bass, double bass, cello, tuba or keyboard (piano, Hammond organ, electric ...
Jim from Backseat Mafia said "'Pizza Guy' opens with these gently pulsating analogue synths, as these chords underneath stay static, like a carpet. As it progresses there's more evidence of that classic 80s sound – the wiry electronic sounds, the warm, plopping bassline as it develops into something that brings the funk to the party, almost Prince style in some ways."
Worrell also played all the song's keyboard parts. [7] The New York Times described Worrell's synthesized bass as a "descending and ascending chromatic line with a meaty tone and a certain swagger, an approach that would spread through funk, new wave, electro, synth-pop and countless other iterations." [8]
The vi chord before the IV chord in this progression (creating I–vi–IV–V–I) is used as a means to prolong the tonic chord, as the vi or submediant chord is commonly used as a substitute for the tonic chord, and to ease the voice leading of the bass line: in a I–vi–IV–V–I progression (without any chordal inversions) the bass ...
1970s-era funk music often takes a short one or two bar musical figure based on a single chord one would consider an introduction vamp in jazz or soul music, and then uses this vamp as the basis of the entire song ("Funky Drummer" by James Brown, for example). Jazz, blues, and rock are almost always based on chord progressions (a sequence of ...
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The intro of the song is dominated by a recurrent slap bass line and the Maestro G-2 wah of a vintage Telecaster that plays the melody while a synth organ makes the counterpoint. An old Rhodes conduct the base chords in D minor as other instruments get in, like a clavinet, a mellotron, a glockenspiel and the Juno-106 synthesizer.
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