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Many blues songs were developed in American folk music traditions and individual songwriters are sometimes unidentified. [1] Blues historian Gerard Herzhaft noted: In the case of very old blues songs, there is the constant recourse to oral tradition that conveyed the tune and even the song itself while at the same time evolving for several decades.
The song is a moderately slow-tempo twelve-bar blues, notated in 4 4 or common time in the key of B. [4] [5] Oden, as St. Louis Jimmy, recorded it in Chicago on November 11, 1941. It was released as a single by Bluebird Records and featured Oden's vocal with accompaniment by Roosevelt Sykes on piano and Alfred Elkins on "imitation" bass. [6]
Blues is a music genre [3] and musical form that originated amongst African-Americans in the Deep South of the United States around the 1860s. [2] Blues has incorporated spirituals, work songs, field hollers, shouts, chants, and rhymed simple narrative ballads from the African-American culture.
Ball and Chain (Big Mama Thornton song) Beale Street Blues; Beans and Corn Bread; Beat Me Daddy, Eight to the Bar; Big Boss Man (song) Billie's Blues; Black and Blue (Chain song) Black Angel Blues; Black Night (Charles Brown song) Bleeding Heart (song) Blue Light Boogie (song) Blue on Black; Blue Shadows; Blue yodel; Blue Yodel No. 1 (T for ...
"Driftin' Blues" or "Drifting Blues" is a blues standard, recorded by Johnny Moore's Three Blazers in 1945. The song is a slow blues and features Charles Brown's smooth, soulful vocals and piano. It was one of the biggest blues hits of the 1940s and "helped define the burgeoning postwar West Coast blues style". [1] "Driftin' Blues" has been ...
Classic female blues [46] Katherine Henderson: 1909 Unknown: Missouri Classic female blues [47] Edna Hicks: 1895 1925 Louisiana Classic female blues [48] Son House: 1902 1988 Mississippi Delta blues [49] Peg Leg Howell: 1888 1966 Georgia Country blues [50] Alberta Hunter: 1895 1984 Tennessee Classic female blues [51] Mississippi John Hurt: 1894 ...
The song is performed as a slow blues in the key of A. Although Dixon biographer Mitsutoshi Inaba notes it as a twelve-bar blues, [17] the changes in the first section vary due to extra beats. Lyrically, it follows the classic AAB blues pattern, [17] where two repeated lines are followed by a second.
Live in Cook County Jail is a 1971 live album by American blues musician B.B. King, recorded on September 10, 1970, in Cook County Jail in Chicago.Agreeing to a request by jail warden Winston Moore, King and his band performed for an audience of 2,117 prisoners, most of whom were young black men.
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