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Electric guitar design and construction vary greatly in the shape of the body and the configuration of the neck, bridge, and pickups. However, some features are present on most guitars. The photo below shows the different parts of an electric guitar. The headstock (1) contains the metal machine heads (1.1), which use a worm gear for tuning.
An electric guitar may be a solid-body or hollow body instrument, which is made louder by using a pickup and plugging it into a guitar amplifier and speaker. Another type of guitar is the low-pitched bass guitar .
Classical guitar headstock. A headstock or peghead is part of a guitar or similar stringed instruments such as a lute, mandolin, banjo, ukulele and others of the lute lineage. . The main function of a headstock is to house the tuning pegs or other mechanism that holds the strings at the "head" of the instrument; it corresponds to a pegbox in the violin fami
Pages in category "Guitar parts and accessories" The following 45 pages are in this category, out of 45 total. ... Bigsby Electric Guitars; C. Capo (musical device)
The "foot" is on the bottom of the neck, and affords a large gluing surface to the back of the instrument. With neck-through, making the neck part of the body. This method is used on some solid-body electric guitars, where the piece of wood that is the neck runs the entire length of the instrument and is laminated to the rest of the body. This ...
A diagram showing a wiring modification for a Les Paul or a similar electric guitar with two humbuckers. Wiring schemes using four push-pull pots for additional pickup combinations were made popular by Led Zeppelin guitarist Jimmy Page and later produced as a signature model by Gibson. The modification shown in this diagram is an evolution of ...
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Sound holes have different shapes: Round in flat-top guitars and traditional bowl-back mandolins; F-holes in instruments from the violin family, archtop mandolins and in archtop guitars; C-holes in viola da gambas and occasionally double-basses and guitars; Rosettes in lutes and sometimes harpsichords; D-holes in bowed lyras.
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