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He felt that his moving sculpture Kinetic Construction (also dubbed Standing Wave, 1919–20) [6] was the first of its kind in the 20th century. From the 1920s until the 1960s, the style of kinetic art was reshaped by a number of other artists who experimented with mobiles and new forms of sculpture.
The meaning of the term "mobile" as applied to sculpture has evolved since it was first suggested by Marcel Duchamp in 1931 to describe the early, mechanized creations of Alexander Calder. [5] At this point, "mobile" was synonymous with the term "kinetic art", describing sculptural works in which motion is a defining property.
Anthony Howe (born 1954, Salt Lake City, Utah) is an American kinetic sculptor who creates wind-driven sculptures resembling pulsing, alien creatures and vortices. He makes use of computer-aided design , shaping the metal components with a plasma cutter , and completing his work by use of traditional metalworking techniques.
Alexander "Sandy" Calder (/ ˈ k ɔː l d ər /; July 22, 1898 – November 11, 1976) was an American sculptor known both for his innovative mobiles (kinetic sculptures powered by motors or air currents) that embrace chance in their aesthetic, his static "stabiles", and his monumental public sculptures. [1]
Solo is a spring-driven kinetic sculpture designed in 2014. The motion of flight has been a recurring theme in his work first appearing in 1988 in a sculpture called Flight . Variation II Sun is a spring-driven kinetic sculpture designed in 2014.
The goal of a kinetic sculpture is to create a machine in which motion is a critical component of the piece, resulting the audience's failure to associate the sculpture with a mere object. [11] The automated nature of Can't Help Myself categorizes the sculpture as a work of kinetic art, which, in turn, generates an anthropomorphic quality to ...
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