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Fahey in studio with Recording King guitar, c. 1970 While Fahey lived in Berkeley, Takoma Records was reborn through a collaboration with Maryland friend ED Denson.Fahey decided to track down blues legend Bukka White by sending a postcard to Aberdeen, Mississippi; White had sung that Aberdeen was his hometown, and Mississippi John Hurt had been rediscovered using a similar method.
American primitive guitar is a fingerstyle guitar music genre, developed by the American guitarist John Fahey in the late 1950s. While the term "American primitivism" has been used as a name for the genre, [ 1 ] American primitive guitar is distinct from the primitivism art movement.
The AOL.com video experience serves up the best video content from AOL and around the web, curating informative and entertaining snackable videos.
Octave tuning – E-A-D-G-B-E Six full steps (one octave) down from standard tuning. The Low E has the same fundamental frequency as a bass guitar, essentially the same standard tuning as a bass guitar but with a high B and E added to mimic a regular guitar. This tuning is used on the Fender Bass VI and similar instruments.
Days Have Gone By is an album by American fingerstyle guitarist and composer John Fahey, released in 1967. The cover labels the album Volume 6 while it was preceded in 1966 by The Great San Bernardino Birthday Party which is labeled Guitar Vol. 4 .
Jesus Loves Me (subtitled Guitar Hymns) is an album by American fingerstyle guitarist and composer John Fahey, released in 1980. [1] It was Fahey's poorest selling release. [ 2 ]
This tuning is evident in William Ackerman's song "Townsend Shuffle", as well as by John Fahey for his tribute to Mississippi John Hurt. [ 31 ] [ 32 ] The C–C–G–C–E–G tuning uses some of the harmonic sequence (overtones) of the note C. [ 33 ] [ 34 ] This overtone-series tuning was modified by Mick Ralphs , who used a high C note ...
The Best of John Fahey was reissued on CD in 2002 by Takoma and included three bonus tracks taken from three later albums. It includes liner notes and commentary by such guitarists as Leo Kottke, Peter Lang, Jim O'Rourke, and George Winston, some of whom had recorded numerous Fahey compositions on their own albums or who were once signed to his Takoma label.
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