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Allusion is an economical device, a figure of speech that uses a relatively short space to draw upon the ready stock of ideas, cultural memes or emotion already associated with a topic. Thus, an allusion is understandable only to those with prior knowledge of the covert reference in question, a mark of their cultural literacy. [8]
Utamakura is a category of poetic words, often involving place names, that allow for greater allusions and intertextuality across Japanese poems. Utamakura enables poets to express ideas and themes concisely—thus allowing them to stay in the confines of strict waka structures.
In Japanese poetry, honkadori (本歌取り) is an allusion within a poem to an older poem which would be generally recognized by its potential readers. Honkadori possesses qualities of yūgen and ushin (有心) [1] in Japanese art.
Poetry (from the Greek word poiesis, "making") is a form of literary art that uses aesthetic and often rhythmic [1] [2] [3] qualities of language to evoke meanings in addition to, or in place of, literal or surface-level meanings. Any particular instance of poetry is called a poem and is written by a poet.
The statue fragment known as the Younger Memnon in the British Museum. Shelley began writing the poem "Ozymandias" in 1817, after the British Museum acquired the Younger Memnon, a head-and-torso fragment of a statue of Ramesses II removed by Italian archeologist Giovanni Battista Belzoni from the Ramesseum, the mortuary temple of Ramesses II at Thebes. [5]
Allusion is a passing or casual reference; an incidental mention of something, either directly or by implication. [26] This means it is most closely linked to both obligatory and accidental intertextuality, as the 'allusion' made relies on the listener or viewer knowing about the original source.
"To Helen" is the first of two poems to carry that name written by Edgar Allan Poe. The 15-line poem was written in honor of Jane Stanard, the mother of a childhood friend. [1] It was first published in the 1831 collection Poems of Edgar A. Poe. It was subsequently reprinted in the March 1836 issue of the Southern Literary Messenger.
The Raven and Other Poems, Wiley and Putnam, New York, 1845. Poe first brought "The Raven" to his friend and former employer George Rex Graham of Graham's Magazine in Philadelphia. Graham declined the poem, which may not have been in its final version, though he gave Poe $15 (equivalent to $491 in 2023) as charity. [31]