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This page was last edited on 18 February 2024, at 06:18 (UTC).; Text is available under the Creative Commons Attribution-ShareAlike 4.0 License; additional terms may apply.
This page was last edited on 18 February 2024, at 06:17 (UTC).; Text is available under the Creative Commons Attribution-ShareAlike 4.0 License; additional terms may apply.
Swashbuckler" was a putdown, used to indicate a poor swordsman who covered his lack of skill with noise, bragging, and clamour. [citation needed] Novels, and then Hollywood, altered the word's connotation to make the swashbuckler the hero of the plotline. [1] Jeffrey Richards [who?] describes the genre as very stylized.
Fortunes of Captain Blood is a 1950 pirate film directed by Gordon Douglas. [1] Based on the famous Captain Blood depicted in the original 1922 novel and subsequent collections of stories written by Rafael Sabatini, Fortunes was produced by Columbia Pictures as yet another remake about the notorious swashbuckler.
Swashbuckler is a 1976 American romantic adventure film. The film is based on the story "The Scarlet Buccaneer", written by Paul Wheeler and adapted for the screen by Jeffrey Bloom . It was directed by James Goldstone and was rated PG .
Scaramouche is a 1952 romantic swashbuckler film starring Stewart Granger, Eleanor Parker, Janet Leigh, and Mel Ferrer. Filmed in Technicolor , the MGM production is loosely based on the 1921 novel Scaramouche by Rafael Sabatini as well as the 1923 film version starring Ramon Novarro .
Beyond reenergizing his career and redefining a genre, Fairbanks's The Mark of Zorro helped popularize one of the enduring creations of twentieth-century American fiction, a character who was the prototype for comic book heroes such as Batman; In fact, The Mark of Zorro is the canonical movie that the Waynes watched before being murdered." [4]
The Flame and the Arrow is a 1950 American Technicolor swashbuckler film made by Warner Bros. and starring Burt Lancaster, Virginia Mayo and Nick Cravat. It was directed by Jacques Tourneur and produced by Harold Hecht and Frank Ross from a screenplay by Waldo Salt. The music score was by Max Steiner and the cinematography by Ernest Haller.
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