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Studio 19, originally named Music City Recorders, is a music studio in Nashville, Tennessee. It was founded in late 1964 by Bill Connor and Scotty Moore , original guitar player for Elvis Presley . [ 1 ] [ 2 ] Originally located on Nashville's Music Row , the studio relocated in 2015 after the original building was sold and demolished.
Sound of the City: Vol. 1 is the first solo release by Black Milk, a rapper and hip hop producer from Detroit, Michigan. He had previously released material as part of the hip hop production group, B.R. Gunna, along with Young RJ and Fat Ray.
Sin City: Original Motion Picture Soundtrack is the soundtrack to the 2005 film Sin City.It features music composed by Robert Rodriguez, John Debney and Graeme Revell, performed by the Hollywood Studio Symphony, as well as the orchestral track "Sensemayá" from Mexican composer Silvestre Revueltas and the electronica piece "Absurd" by Fluke.
The studio was created by Joe Gottfried and Tom Skeeter, who wanted to start a record company and get into artist management. After a rough start, Skeeter and Gottfried purchased [4] [5] [6] a state-of-the-art recording console for $75,175 from the English electronics engineer Rupert Neve: [7] "One of four in the world ... a 28-input, 16-bus, 24-monitor 8028 with 1084 EQs and no automation".
Creative Music - 1 is the first recording as a leader by American jazz trumpeter Wadada Leo Smith, which was released in 1972 on his own, privately pressed label Kabell. Subtitled "Six Solo Improvisations", the album featured Smith solo using trumpet, flugelhorn and various drums, gongs, bells, and home made percussion.
Vocalese is the ninth studio album by Jazz band The Manhattan Transfer, released on September 3, 1985 on Atlantic Records.Recording sessions took place during 1985. Production came from Tim Hauser and Martin
Sergei Prokofiev: Peter and the Wolf, the theme of the grandfather; Piano Concerto No.3 in C major Op.26, third movement, bassoon and cellos play the theme in staccato and pizzicato; Violin Concerto No. 1, third movement, a playful theme similar to the main theme gets introduced by the bassoon at the beginning of the movement before the solo ...
The music of Cornelius could be described as experimental and exploratory, and often incorporates dissonant elements alongside more familiar harmonically "pleasing" sounds. This tension, plus his practice of bringing in sounds and samples from mass culture, pure electronic tones, and sounds from nature (such as on his Point album), lead him to ...