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It is Era's third album. It achieved success in several European countries. The title track, "The Mass", is an adaptation of O Fortuna, a classical piece by Carl Orff. [citation needed] Videos were shot for "The Mass" and "Looking for Something" on location at Chateau de Commarque, France; featuring actors Pierre Boisserie and Irene Bustamante.
Era's lyrics are written in Latin and English, and some are based on beliefs of the Cathars, a 13th century sect of French heretics. [citation needed] Era's live shows and music videos often feature artists dressed in medieval or traditional clothes and armour. Usually, actors Pierre Boisserie and Irene Bustamante perform at Era shows.
A "Premium" version was also released at the same time which includes a Video DVD. The back cover reads "The Complete Era video collection including all Era music videos and special features." Music videos include: 1. Misere Mani 2. Mother 3. The Mass 4. Looking For Something 5. Ameno 6. Infanati 7. Enae Volare Mezzo 8. Divano 9. Looking For ...
The Philippines is known to have the first hip-hop music scene in Asia, emerging in the early 1980s, largely due to the country's historical connections with the United States where hip-hop originated. Rap music released in the Philippines has appeared in different languages such as Tagalog, Chavacano, Cebuano, Ilocano, and English.
National Artist Levi Celerio also wrote Tagalog lyrics to the song during the 1950s. The song is still sung today in various communities, especially in churches both in the Philippines and abroad (usually during the end of the Holy Mass). [1] Ang Pasko ay Sumapit is in public domain as an unprotected work.
"Ameno" is a song by French new-age musical project Era (stylized as +eRa+). It was released in June 1996 as a single from their self-titled debut album Era and became a chart success in France, Belgium, Sweden, Switzerland, Poland and Latin America.
Manila sound (Filipino: Tunog ng Maynila) is a music genre in the Philippines that began in the mid-1970s [1] in Metro Manila.The genre flourished and peaked in the mid to late-1970s during the Philippine martial law era and has influenced most of the modern genres in the country by being the forerunner to OPM.
The Philippine Madrigal Singers recorded a rendition of the song for the album Bayan Ko, Aawitan Kita ("My Country, I Shall Sing For Thee"), an anthology of historic patriotic songs from the Spanish era up to the 20th century that was released for the Philippine Centennial in 1998.