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The Wonderful Adventures of Paul Bunyan as retold by Louis Untermeyer and illustrated by Everett Gee Jackson was published in 1945 by The Heritage Press, an imprint of The George Macy Companies. Legends of Paul Bunyan (1947) was the first book published by the prolific tall tale writer Harold Felton. [26]
The most famous depiction of a lumberjack in folklore is Paul Bunyan. Several towns claim to have been Paul Bunyan's home and have constructed statues of Bunyan and his blue ox "Babe". [43] Known for their many exploits, many real life loggers have become renowned for their extraordinary strength, intuition, and knowledge of the woods.
Like Paul Bunyan, he became the subject of many similar tall tales. Mufferaw is sometimes enlisted as a defender of oppressed French-Canadian loggers [1] in the days that their bosses were English-Canadians and their rivals at work were Irish-Canadian criminals. In one story, Big Joe was in a Montreal bar, and a British army major named Jones ...
Paul Bunyan, The Frozen Logger, James Stevens (1892 – December 31, 1971) was an American writer and composer . Born in Albia, Iowa , [ 1 ] he lived in Idaho from a young age, and based much of his later novel Big Jim Turner (1948) on his childhood spent in Pacific Northwest logging camps.
Ol' Paul, the Mighty Logger is an anthology of ten original Paul Bunyan tall tales: it was written and illustrated by Glen Rounds, and published by Holiday House in 1936. [1] Upon its publication, Kirkus Reviews praised it, saying that "there's a harmony about this book -- the telling of familiar episodes from the Paul Bunyan legend, the ...
Shephard's classic work is Paul Bunyan, a collection of logging tales initially published in a limited edition by the McNeil Press in 1924. According to a laudatory review in the Washington Historical Quarterly, Shephard began investigating the tall tales of Paul Bunyan in Washington state as part of her master's thesis on frontier literature. [14]
Paul Bunyan, Op 17, is an operetta in two acts and a prologue composed by Benjamin Britten to a libretto by W. H. Auden, designed for performance by semi-professional groups. It premiered at Columbia University on 5 May 1941, to largely negative reviews, and was withdrawn by the composer.
Canadian folklore is the traditional material that Canadians pass down from generation to generation, either as oral literature or "by custom or practice". [1] It includes songs, legends, jokes, rhymes, proverbs, weather lore, superstitions, and practices such as traditional food-making and craft-making.