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The German origins of Romanticism did not lead to an equally central position in the visual arts, but Germany´s contributions to the many broadly Modernist movements following the collapse of Academic art in the form of Expressionism, Dada, New Objectivity and Bauhaus played a major role in the emergence of modern art.
The Cologne Progressives was an art movement and were an informal group of artists based in the Cologne and Düsseldorf area of Germany. They came together following the First World War and participated in the radical workers' movement .
The Great German Art Exhibition promoted the genre of sculpture at the expense of painting. [50] As such, the nude male was the most common representation of the ideal Aryan; the artistic skill of Arno Breker elevated him to become the favourite sculptor of Adolf Hitler.
Adolf Hitler during his speech at the opening of the 1st Great German Art Exhibition 1937. The Great German Art Exhibition, which spanned the first floor, the upper floor and the two-story "Hall of Honour" in the centre of the building, was promoted as the most important cultural event in Nazi Germany. The show was conceived as a sales ...
Jahn became the Art Consultant to the German Embassy in Vienna in 1937, where he would then search for, purchase, and collect individual pieces of Hitler's art, allegedly in order to destroy a majority of the paintings. Jahn sold one of the largest collections of Hitler's art, about 18 pieces, with an average selling price of $50,000. [13]
The magazine, along with several others that launched more or less concurrently, including Pan, Simplicissimus, Dekorative Kunst ('Decorative Art') and Deutsche Kunst und Dekoration ('German Art and Decoration') [2] collectively roused interest among wealthy industrialists and the aristocracy, which further spread interest in Jugendstil from 2D ...
Pages in category "German art movements" The following 14 pages are in this category, out of 14 total. This list may not reflect recent changes. B. Beuron school;
Figurative Constructivism is an art movement that arose principally in Germany. The term was introduced by Franz Seiwert in 1929 using the phrase "gegenständlichen constructive", and this was subsequently taken up by Gerd Arntz and then by art historians more generally. [1] It is closely related to the development of the Isotype. As Seiwert ...